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The 3 Things that Must Be in Place Before Your Marketing Will Work

Thursday, April Post a comment

Most editors and writers start with the wrong step. Here is the right order.

I have built over 22 websites for writers and authors. Before that, I spent 12 years designing for brands like Disney and Nike.

The single most common mistake I see? Talented freelancers pouring time and energy into marketing before they have built anything worth marketing toward.

They post. They pitch. They show up consistently. And nothing converts. Not because they are doing marketing wrong. Because three things are missing underneath it.

Fix these three things first. Then market.

 

1. A website that answers three questions in eight seconds.

When someone lands on your website, they decide whether to stay or leave almost instantly. Not after reading your bio. Not after scrolling to your portfolio. In the first few seconds.

Those seconds need to answer: who are you, what do you do, and who is it for.

Most freelance websites fail that test. The homepage opens with a name and a navigation menu. The bio is buried below the fold. There is no clear headline that tells a potential client they are in the right place.

The first thing I do with every client is ask: what do you want a visitor to do when they land here? If the answer isn’t immediately visible on the page, we fix that before anything else.

A clear website does not need to be complicated. It needs one strong headline, a short sentence about who you serve, and one action for the visitor to take next. That is it.

Everything else is secondary.

 

2. A lead magnet worth saying yes to.

A mailing list does not grow because you have a signup button. It grows because you give someone a specific, immediate reason to hand over their email address.

For debut and indie authors, the highest-converting lead magnets are not a free chapter or a vague newsletter promise. Readers opt in for one reason: they want more of the feeling your book gives them, right now.

What actually converts, by genre:

  • Romance: A bonus POV scene or extended epilogue. Readers want to know what he was thinking. Give them that. Conversion rate: 50 to 60 percent.
  • Fantasy: An origin story or villain prequel. Lore they cannot get anywhere else. It makes your main book feel like a sequel they are already late for.
  • Historical fiction: An annotated deleted scene or visual research dossier. This audience is research junkies. Feed that. They will become your most loyal reviewers.
  • Nonfiction and memoir: A short quiz or self-assessment tied to your book’s core idea. Two minutes, personalized result, immediate value. Readers opt in because it is about them, not you.
  • Business: A plug-and-play template, calculator, or one-page action plan from your book. This audience is time-poor. If it saves them work today, they will give you their email.

The rule across all of them: the incentive delivers the feeling or the value of the book before the book is in their hands.

For freelance editors, proofreaders, and writers, the highest-converting offers are not vague promises of future content. They are tools that solve a real problem today.

The four that convert best for this audience, in order:

  1. A current pricing guide. Freelancers are chronically anxious about undercharging. A clear PDF showing what to charge for different services in 2026 converts at 50 to 60 percent. It solves the most painful, least discussed problem in the industry.
  2. Pitch email templates. The exact emails that get responses from authors, publishers, and agencies. Finding clients is the second biggest pain point. Remove the guesswork and conversion follows.
  3. A client intake checklist. Ten questions to ask before saying yes to a project. Every editor who has ever experienced scope creep wishes they had this three clients ago.
  4. An editing speed tracker. A simple spreadsheet that calculates words per hour. Since most editors charge by project, knowing your actual speed is the fastest way to increase your effective hourly rate.

Notice what all of these have in common. They are not about you. They are about the person you are trying to reach. That shift in thinking is the whole game.

 

3. A brand that earns trust before you say a word.

People decide whether to trust you before they read your credentials.

They decide based on how your website looks. Whether it feels considered or cobbled together. Whether it reads like someone who takes their craft seriously or someone who built a site in an afternoon and moved on.

This matters especially for editors and proofreaders. You are selling precision, care, and professional judgment. If the platform that represents you is visually inconsistent or hard to navigate, it quietly works against everything your work stands for.

Design is communication.

A coherent, intentional brand says one thing before a client reads a single word: I know what I am doing.

You do not need an expensive rebrand. You need consistency. A clear color palette, one or two fonts used with intention, and imagery that reflects the quality of your work. That is enough to shift how a potential client reads everything else on your site.

 

Build the engine first. Then you can market.

Once these three things are in place, marketing works differently. The same post that used to get ignored now sends people somewhere worth going. The same effort that used to feel wasted starts compounding.

Marketing amplifies what is already there. Build something worth amplifying first.

If you are not sure where your foundation stands, I put together a free resource for authors that walks through exactly what to clarify before you build or rebuild anything online. It is the same worksheet I use with every custom author client.

You can download it at maitedalila.com/freebie.

 

Maite Dalila is a brand strategist, web designer, and storyteller who’s spent over 12 years helping brands like Disney and Nike create meaningful, human-centered experiences. Now, she focuses on helping authors build websites that feel like an extension of their voice and story, that don’t just look good but grow their audience and sell their books. She also writes fiction, so she understands the creative process from both sides. Through workshops, design strategy, and branding, she helps authors simplify the overwhelm of building an online presence, so they can focus on what matters most: their stories.

Categories: Freelancing, Maite Dalila, Marketing, NAIWE Board of Experts

Copyediting Dialogue: Shaping Purposeful Communication

Tuesday, March 1 Comment

Editing dialogue goes beyond mechanical editing, partly because people, and thus characters, don’t always speak in grammatically correct ways. Not only does a character’s dialogue reveal their personality, but it also must contribute to the forward momentum of the plot. Every word should have a purpose. And if it doesn’t, get rid of it.

As a copyeditor, I am entrusted to help refine a person’s message to the world. And when it comes to the “spoken” word of dialogue, it is particularly meaningful. Words are not only important for meaningful connections, but they have divine significance and power; they reveal, create, and transform. And when it comes to dialogue, words can paint a thousand pictures, so to speak.

So how do you make this magic happen? When copyediting dialogue, ask yourself: Is this believable? Does it feel natural? Is the author preaching through the characters, or are they letting the story unfold organically? Then consider deleting the dialogue altogether. If you do delete the dialogue, does the scene lose anything important? Would readers notice something is missing? If not, get rid of it. But in addition to the content of the dialogue itself, there are several craft tools we can use to make sure our author’s dialogue is the best it can be.

Speaker Attributions

Speaker attributions—like “he said” or “she whispered”—are tools we wield carefully. They’re sometimes essential for clarity, especially in multi-character scenes, but only use them if you have to. I recommend reading the dialogue aloud without them; if you can follow who’s speaking, leave them out.

Be aware of colorful alternatives to said, such as retorted, chortled, exclaimed. Many times, the dialogue itself can be written in a way that already clearly conveys these ideas. Said becomes invisible, blending seamlessly, while flashy attributions can bring attention to the words themselves, temporarily pulling readers out of the story.

Action Beats

Action beats are descriptive snippets that identify the speaker through movement or context. When an action beat is used correctly, you don’t need a speaker attribution at all. Below, the sentence in bold is an action beat.

He leaned forward, eyes narrowing. “We can’t wait any longer.”

Action beats aren’t just identifiers; they pace the scene. In tense moments, sparse beats keep the energy high. But after intensity, longer and more complex sentences slow things down, giving readers a breath. Beats also add depth, showing emotion through action rather than telling.

Author Explanations

Author explanations are sneaky adverbs, phrases, or beats that overexplain what’s already clear. Some examples are identified in bold below.

“Get out,” she said brusquely.

“Are you really going to do that?” He said with curiosity in his voice.

Arthur apologized all over himself. “I’m so sorry. I can’t believe I did that. I feel so bad.”

Why tell when the dialogue shows? Trust your readers; strong dialogue conveys tone without handholding.

Yet there are times when the spoken words themselves don’t indicate volume or tone. If it’s not obvious, author explanations become essential to the reader’s experience.

He whispered fiercely, “Not here.”

Voice

Character voice ties it all together. Each person’s speech should reflect their background, profession, and personality through their diction, jargon, and regional quirks. In historical or speculative fiction, avoid anachronisms—no modern slang in ancient settings, no real-world metaphors in imagined realms. Consistency within each character’s voice is key. If characters sound interchangeable, query the author and suggest they spend more time on distinguishing each character’s speech. Minor characters need less distinction.

As you move forward to greater heights of writing and editing, remember that your life is meaningful, your voice is significant, and your contribution is unique.

Pleasant penning,

Rachel E. Bradley
The Copyediting Expert

Rachel E. Bradley holds a BS degree in paralegal studies from Northeastern State University in Oklahoma and graduated summa cum laude in 2006. She is a gold member of the Christian PEN: Proofreaders and Editors Network, is an established freelance editor with the Christian Editor Connection, is an instructor with the PEN Institute, is a judge for the Editors’ Choice Award, and has served as faculty for PENCON, the only conference for editors in the Christian market. After serving nine years in the legal field and becoming an advanced certified paralegal, Rachel started her business as a freelance editor and indexer. She now owns Revisions by Rachel Inc. In 2018, Rachel lost her first husband, Matthew, after an intense battle with brain cancer. This life experience carried over into her editing and gave her a new understanding and a fierce compassion for people who feel broken and hurt. In celebration of continued life and hope, Rachel became a licensed skydiver and takes to the skies with her rainbow canopy, “Promises,” any chance she gets. In early 2021, she asked God to choose her next husband. In an incredible tale of trusting God and giving him her yes without exception, Rachel is now joyfully married to Alexander Bradley. They have been assigned the awe-inspiring and continually humbling task of raising two incredible children. Beyond reading, Rachel enjoys Bible studies, dancing during church worship, skydiving, swing dancing, rock climbing, reading, teaching, discussing important issues, watching Star Trek, sewing, cooking, Pilates, horseback riding, water sports, playing guitar, and snow skiing.

Categories: Editorial Services, NAIWE Board of Experts, Rachel Bradley

4 Tips to Turn Your Networking into Life-Changing Success

Wednesday, January Post a comment

Like in many other professions, an author typically needs to be able to forge business relationships to make a living from writing. Whether you’re interacting with an agent, a publicist, a librarian, or a reader, your relationship is the bond. The stronger the relationships, the more likely you will succeed.

Yet most business relationships don’t come to fruition after the initial attempt — even if the match is perfect. You might meet somebody at an author’s convention or when you’re speaking at an event; and by the time you arrive back home, they’re out of mind. You lost a business card, forgot about them, or mixed up your conversations, attributing a discussion to one person when you really had it with a different person.

This doesn’t make you a bad person. It’s life. Memories fade, we lose things, we have good intentions that don’t get fulfilled. But those are also the issues that keep you from succeeding at the highest level.

You don’t have to succumb to these negative consequences. With just a few tweaks in what you do, you can minimize the negative impacts as you continue down the path of success.

Here are some things you can do specific to when you’re meeting people face to face, to ensure the highest success.

 

  1. Prep makes all the difference.

You’d be amazed how 5 to 15 minutes of prep can change an “encounter that wallows” into a meeting that has great outcomes for both parties. If you know who you will see, learn a little bit about them in advance — what turns them on, what they have done in the past, what has helped them become who they are today. Your research will help spur conversations that yield results as you find commonalities to talk to them about those common loves, challenges, and organizations that you both support.

Prep also makes a difference to what you say. Many people go to events and when asked a question, need to think up an answer on the spot. But if you have pre-thought how you will respond to questions or topics, you may be more at-ease as you speak and project a confidence that may be difficult to project if you’re thinking up your answers on the fly.

 

  1. Listen actively.

This is one of the most difficult things I ask people to do — because we develop habits over our lifetime that make listening more difficult than it should be.

Have you ever excused one of your lapses by telling somebody that you have a bad memory? Or have you embarrassingly forgotten somebody’s name? Most people think their own memories are poor —and most of that doesn’t really come from having a poor memory; it’s from not listening actively.

While somebody is speaking with you, instead of thinking about what you’re going to say in-reply, focus all your attention on the person whose mouth is moving instead of yourself. Put your other thoughts on hold. HARD? You betcha! You won’t find anything harder — it’s a learned skill, not something you’re born with.

To test it out (and frankly to prove it to my colleagues), a few years ago, when my business team was hosting an event for a local business group, I made it a goal to learn the names of all 50 people as they walked in the door — and my memory is no better than yours.

To accomplish this goal, when I greeted them, I would ask their name, repeat it to them and to myself, and use it once or twice in that short encounter. I put lots of effort into putting my own responses on hold to only listen and remember their names. Then after every 5 or 10 people I greeted, I surveyed the room and asked myself if I knew their names before greeting the next guests.

Thirty minutes later, after some business mingling, I got my chance to speak — and from the front of the room, I managed to address all 50 by name as part of my formal welcome to our facility.

Circus trick? Maybe — but being able to do that is now a skill that I have honed that helps me at least a few times each week.

 

  1. Record the important stuff.

So I think I just proved that you can remember things a lot longer than you think. But that doesn’t mean you should rely on your memory for the most important details.

Write them down. Put them on your phone. Use whatever method of long-term memory you like best; but don’t solely rely on your own recollection.

Most of us have left events and remembered subsequently that we had a specific discussion with person A when we really had it with person B. We’ve even forgotten entire conversations that happened. Then when we’re ready to take action, we don’t know who we promised what to and thus don’t follow up.

By recording the conversations (including who participated) in a more permanent manner, we’re able to follow up after we leave.

 

  1. Take action methodically.

An often-missed step is to create a list of action items as soon as you can after the event ends. That doesn’t mean you need to do each task immediately, just that you know what your actions need to be to make the most of the hours you have already spent.

I like to do that ASAP. If there are one or two that I should do now, I act immediately — and mark them as complete. I then assign the rest to other days depending on their urgency and importance, and note the details related to the goal or mission for which I’m doing the follow-up. (If you’ve watched my NAIWE “Smarter Workdays” webinar, you learned a few of the tips for doing this effectively.)

I wrote in my NAIWE blog post last month about a tool that I created to help make sure I don’t let business relationships fade due to lack of follow up. If you want to make your in-person encounters turn into higher success rates, read that blog to learn more.

As writer/businessperson, the easier you make your follow-up activities, the more successful your business interactions will be. You’ll save time; you’ll reduce your stress; and you’ll accomplish more. The tips I shared above are a small part of how you do that.

 

David Radin is an award-winning author, columnist, CEO, speaker, consultant, and product developer. Two-time finalist for Innovator of the Year and winner of CEO of the Year, David simplifies complex subjects and makes them fun and easy to understand. As national talk radio show host, David reached over a million weekly listeners on 400 stations and XM; and his first book was nicknamed “the Swiss-army knife of high-tech marketing” by industry executives. David concentrates on helping his clients optimize the way they spend their days. His “Time Management in the Age of A.I.” workshops and programs are aimed at giving each participant their own personalized time management framework based on what they do for a living and how they like to do it. His Confirmed suite of apps help his users reclaim and refocus large chunks of time every week. And as a Certified Dale Carnegie Consultant, he can help with change-management, communications, leadership, presentation, and interpersonal skills. David holds an MBA and Certificate in AI Product Management from Duke University, BS from Yale, and has been on Advisory Boards at Penn State University and Oracle. David’s latest book will include content from his workshops.

Categories: David Radin, NAIWE Board of Experts, Networking

Tracking Your Website and Blog Stats: What You Can Learn

Thursday, January Post a comment

“Don’t wait until everything is just right. It will never be perfect. 
There will always be challenges, obstacles, and less-than-perfect conditions. 
So what. Get started now.
With each step you take, you will grow stronger and stronger, more and more skilled, more and more self-confident, and more and more successful.”
—Mark Victor Hansen

I checked the NAIWE website stats for the first week in July, and member Noelle Barrick’s blog post, “Adventures in Freelance Teaching, or How to Use Cuss Words to Your Advantage” is the top post among the linked NAIWE blogs.

The second highest post in traffic is a NAIWE blog announcement, “Poem-a-Day Challenge,” and the third highest is my post on “What do you value most about the freedom to work independently?” Together, these posts have brought hundreds of eyes to the NAIWE site in the past seven days.

The numbers are interesting all by themselves, but why should you care? You should care because traffic means eyeballs. Noelle’s post has attracted 186 sets of eyeballs to her site in the past week. From the blog post, visitors get an idea of her writing style, and they can click right over to look at her professional profile. Noelle’s chances of being contacted to quote on a job increase every time someone visits her site. Every single time.

By taking the time to write an interesting and creative post, Noelle has accomplished far more than she’d ever achieve by a boring and static “brochure about me” post. Her post will be there for as long as she’s a NAIWE member, and it will continue to draw visitors. Those who enjoy it enough to bookmark it and return will build her traffic, and when they need a copywriter, who do you think they’ll think of?

The best part about traffic-attracting posts like the three mentioned above is that, ultimately, they bring visitors to all of us. A reader may first stop at Noelle’s post and profile, but from there, they may click on the NAIWE logo to visit the home page and the rest of the site, and perhaps browse through the searchable database to visit your profile and read your blog. The site is designed with search engine optimization in mind so that each post is quickly indexed in the search engines and can begin bringing in traffic within hours (occasionally even minutes).

Is your NAIWE site ready? Are you making the most of your biggest NAIWE benefit? Or will visitors to your site find the original welcome text that is designed to help you make your first posts? If you joined NAIWE just to have an association membership to enhance your professional credibility, having an empty site may be fine. However, if you’re hoping to build your professional reputation or attract new clients, you need to have something on the site to introduce yourself and your books or services. Posting to your NAIWE blog doesn’t take long — just log in to your blog today and get started!

 

Janice Campbell is the former executive director of the National Association of Independent Writers and Editors. She has been a freelance writer, editor, coach, and speaker since the late 1980s.

Categories: Blogging, Janice Campbell, Marketing, NAIWE Board of Experts, Writing

Make the Best Use of Your Editing Budget: A Pre-Editing Checklist

Thursday, January Post a comment

By the time you hire a copyeditor, academic evaluator, or proofreader, you may be eager to be done with your project and feel like dumping it directly on the editor’s desk without any sort of self-checking. After all, the editor’s job is to catch errors, right? It’s true that your editor will catch errors, but when you are paying by the hour for an editor, there are some simple self-checking steps you can do before engaging the editor so that the editor can focus on the specialty service that you are paying for. Some self-checking steps include the following:

  1. Use spell check to find and correct all simple errors.
  1. Use the dictionary to verify word meanings.
  1. Use grammar check to flag grammar and usage issues. Be aware that grammar check is not always right, so consult a guide such as the Chicago Manual of Style if you aren’t sure if something has been correctly flagged.
  1. Check that you have used punctuation If you are unsure of any item, look it up in a style and usage guide.
  1. Be aware of overused words and phrases, and substitute appropriate synonyms or metaphors.
  1. Eliminate the passive voice. Rather than, “The report was submitted by Jennifer,” write “Jennifer submitted the report.”
  1. Remove extraneous detail. If you are presenting a case or making a point, use critical detail only.
  1. Be sure you have met requirements or conventions for presentation, including length, margins, and fonts.
  1. If your work is nonfiction, verify basic facts and provide correct citations.
  1. If your work is fiction, read it entirely through when it is finished to be certain that your plot is clear, that the settings and characters are well-defined and distinctive, and that you haven’t accidentally left out any other critical information.
  1. Once you have completed items 1–10, do them all over again if you have time. You’ll be amazed at what escaped you the first time through!

 

Janice Campbell is the former executive director of the National Association of Independent Writers and Editors. She has been a freelance writer, editor, coach, and speaker since the late 1980s.

Categories: Editorial Services, Janice Campbell, NAIWE Board of Experts, Writing

How to Choose a Freelance Editor

Tuesday, December Post a comment

An editor can bring out the best in a book or manuscript, but for this to happen, you must choose the right type of editor for the job. Although there is some overlap in the specialties, many editors have a specific focus. As you search the NAIWE database, you’ll want to look for a specialist whose experience matches your needs. For example:

  • If you want an editor to help you develop a nonfiction book and coach you through the writing process, you will need to look for a writing coach with experience in nonfiction.
  • If you are a graduate student looking for an editor to fact-check a master’s thesis in physics, you will need an academic evaluator with an advanced degree in physics.
  • If you have written a how-to book and you’re not sure if it’s organized well enough for a lay reader, you will need a developmental editor with experience in nonfiction editing.
  • If you are a fiction writer, it’s very important to choose an editor, often a writing coach, with extensive experience and credentials in editing the kind of fiction — literary, genre, juvenile — you are writing.
  • If you have a completed manuscript and you need to have it edited for clarity and conventions (mechanics), you will need a copyeditor.
  • If you and your writing coach are happy with the content of your book but you need to double-check the mechanics, a proofreader will help to ensure that your copy is error-free.
  • If you’re a homeschool parent looking for a writing mentor for your student, you’ll want to start with academic evaluators and coaches who specialize in your student’s grade level.
  • If you’re a self-publisher, consider using a project editor to guide your project from start to finish or assemble a team of editors.

No matter what type of writing project you are working on, there is an editor who can help you. The primary specialties include the following:

  • Academic evaluator
  • Copyeditor
  • Copywriter
  • Developmental editor
  • Fiction editor
  • Ghostwriter
  • Multimedia editor
  • Newsletter editor
  • Nonfiction editor
  • Project editor
  • Proofreader
  • Writing coach
  • Writing tutor

Many experienced editors specialize in one type of service or a single genre, such as the following:

  • Abstracting
  • Academic evaluation
  • Copyediting
  • Critique
  • Curriculum development
  • Developmental/substantive editing
  • Editorial consulting
  • ESL/translation editing
  • Fact checking
  • Ghostwriting
  • Line editing
  • Literary coaching
  • Manuscript evaluation
  • Multimedia editing
  • Newsletter editing
  • On-screen editing
  • Permissions
  • Project editing
  • Project management
  • Proofreading
  • Public speaking/teaching
  • Reference checking
  • Reporting
  • Research
  • Self-publishing assistance
  • Sensitivity reading
  • SEO
  • Structural editing
  • Stylistic editing
  • Submission letter preparation
  • Transcribing
  • Translating
  • Website text editing

To help simplify the process of selecting the editor that is right for you, be sure to pay attention to the experience and specialties of any editor you are considering.

 

Janice Campbell is the former executive director of the National Association of Independent Writers and Editors. She has been a freelance writer, editor, coach, and speaker since the late 1980s.

Categories: Editorial Services, Janice Campbell, NAIWE Board of Experts

Blog Strategically: How to Get it Done and Get it Read

Monday, December Post a comment

“What a waste of time,” grumbled a writer at a recent conference. He was responding to yet another speaker’s suggestion that a blog is one of the simplest and best marketing tools for an author or freelancer. I’ve gotten used to hearing complaints, excuses, and grumbling whenever blogs are mentioned, but I’ve also noticed how fast the whining dries up the first time a fan or client approaches and starts a dialogue by mentioning, “I read on your blog. . . .”

For every writer or editor who sees the blogosphere as the anonymous, overwhelming clacking of a billion voices, there’s another who is quietly and effectively using a blog to communicate with readers and clients or as a thought-catcher, catalog of ideas, or a place to judge interest in a possible article or book topic. A blog can be used in any way you choose, but the two most important things you need to do are to get it done and get it read.

Get It Done

  1. Decide the purpose of your blog. Do you want to establish a rapport with readers? Sell books? Get new clients for your writing or editing services? Your decision will help you determine your tone and what you write about.
  2. Decide when and how often you’ll post. I recommend no less than once a week, so that your readers will have something to look forward to. Try to post on the same day each week, and remember that mid-day Tuesday–Thursday is usually the best time to post. People are often too busy to read blogs on Monday, and on Friday, they’re looking forward to the weekend, and not ready to do anything extra.
  3. Decide what to write about. If you’re going to post once a week, you’ll need 52 short articles. Get a calendar with all major holidays marked, and begin listing topics on your chosen blog day. You can use a holiday as a springboard for posts; offer news about your book sales or your business; review other books your readers might find interesting; share news from the publishing or freelance world; whine a bit about your current project (this is recommended only if you do so in a funny way); share a great quote or poem; and so much more. If you’re stuck for a topic, post something you wrote long ago, write a response to someone else’s blog, or just post an inspiring quote.

Get It Read

  1. Feedburner: Your blog posts can be sent directly to subscriber mailboxes using Feedburner, a Google service. Add your blog feed, then click on its title to get to the screen where you can “Analyze, Optimize, Publicize, Monetize, and Troubleshootize” your feed. Take a little time to look at the options offered, and use these free tools to send your feed to where it can be read.
  2. Blog Carnival: A blog carnival is a gathering of blog posts on a single topic such as writing, business, or organization. Search the blog carnival site for carnivals you’d like to contribute to, then click on “Submit a Post,” and fill out the brief form. Your post will be included (at the carnival owner’s discretion) in the next issue of the carnival. If you choose an active carnival that is posted regularly, this can bring your blog to the attention of many new readers who may in turn share it with others.
  3. Incoming Links: Links are the lifeline of any website, and blogs are well-positioned to benefit from them. If you have a NAIWE blog, you already have a head start on incoming links, but you’ll want to gather more by announcing each of your blog posts on social media. Some of the simplest and most useful links come from sites such as LinkedIn, Facebook, Twitter, Digg, StumbleUpon, and Delicious. You can use as service such as Hootsuite or Edgar to pre-schedule updates so that they’re optimally spaced. (To view the social media sites listed above, just type each name into your browser bar and add .com.)

There are other ways to get your blog read, including blog tours, guest blogging, webrings, and blogroll exchanges, but the first three options will get you started.

Great Blog Examples

It’s a good idea to study successful blogs to see what makes them work. Remember, though, that each of these blogs has been up for a long time, so there’s enough content to draw readers. You can’t start with a hundred posts, but you can start with one, and build from there. Little by little, bit by bit, you’ll create a site that connects you with readers and clients, and meets the objectives you set when you began planning. Here are four blogs that offer very different examples. Enjoy reading, then plan your own and get started.

Seth Godin writes a long-standing blog that supports his nonfiction writing career. He’s created a vast following for his interesting posts, and that’s translated to great sales for each of his books. Here’s a good sample post: When a stranger reads your blog.

Copyblogger is where blogger Brian Clark shares his expertise in frequent, information-packed posts. He also hosts guest bloggers, which a good way for a blogger to add fresh content without having to write it all.

QueryShark is the blog where agent Janet Reid shreds reader queries. It’s definitely blood-in-the-water writing, and it gives you a strong taste of Reid’s personality and working style. She does it all in a spirit of helpfulness, and you’ll learn a lot by reading it. For Reid, it’s not just an act of charity or wicked fun—it’s smart marketing that draws potential clients like flies to a sticky bun.

Rachelle Gardner, another literary agent, offers a kinder, gentler tone on her blog on all things related to publishing. Her site is professional, attractive, and consistent.

Beyond these examples, be sure to look at the blog feed of the NAIWE member blogs.

 

Janice Campbell is the former executive director of the National Association of Independent Writers and Editors. She has been a freelance writer, editor, coach, and speaker since the late 1980s.

Categories: Blogging, Janice Campbell, NAIWE Board of Experts

20 Secrets of Blogging Success

Saturday, December Post a comment

Ever wonder how successful bloggers got where they are? If you’d like to start or improve your own blog and turn it into a really useful tool for growing your business, below are 20 tips I’ve distilled from my own experience in growing a blog into a Top 10 Blog for Writers.

I recently did a free blog-review day and took a look at about 30 writers’ blogs. This gave me a good sense of some of the common mistakes new bloggers make.

The tips from 1 to 13 will help you use your blog as an audition piece to get freelance blogging gigs. Tips 14–20 concentrate on ways to turn your blog into a money-earning business of its own.

  1. Your blog has a great name, tagline, and URL. Your URL matches your blog name, and between the name and tagline, it’s easy to understand what your blog is about.
  1. You write great post headlines with key words. Work hard on your headlines. They are your hook for luring readers to your site. Learn how to write compelling ones by reading the Psychotactics report Why Do Some Headlines Fail?
  1. You write strong opening paragraphs. Remember that many search engines will show the first few sentences of your post, so make them catchy and include key words.
  1. You understand blog style. Blogging truly is its own format. It’s different from a magazine or newspaper article. Blogs need to be scannable, short, informal, and to the point. The posts contain links to other useful, related information, both within your blog site and on other credible sites. Good blog posts use short sentences and paragraphs. Using bulleted or numbered lists is also a great way to get your blog noticed.
  1. You understand blog mechanics. There are some basics you should learn to make your blog posts appealing and useful to readers, including how to enliven links properly, add photographs, code images, and link to sales carts.
  1. Your design is uncluttered and inviting. For instance, you don’t have a black background, tiny typefaces, a left-hand sidebar or multiple righthand sidebars.
  1. You have a great About page. Typically, your About page will be the most-visited page on your site. Tell a compelling story there about who you are and why you’re blogging.
  1. Your posts focus on what your blog’s readers need to know. Many bloggers just post about whatever’s on their minds. Great bloggers are constantly asking their audience what they need to know, through polls or contests, and then delivering exactly that.
  1. You post consistently. Even if you only post once a week, you post on the same day of the week, at the same time of day. That way, readers can come to rely on you.
  1. You stick to a niche. You pick one topic and blog exclusively about it. If you have multiple subject areas of interest, start multiple blogs. With the plethora of blogs out there today, the more focused your niche is, the better you’ll tend to do.
  1. You have testimonials. Particularly if you’re looking to get hired off your blog, be sure to include raves from customers.
  1. You have a Hire Me page. If you want gigs, don’t be shy. Let visitors know you do work for others. Have your clips well-organized on your blog site on a static page, and make sure clips are clickable links to your stories. If they’re not online, get your clips turned into PDFs and load them onto your site.
  1. You engage your audience. Good bloggers aren’t know-it-alls; they ask readers for their point of view. You also ask readers to be guest posters, to give them the spotlight. Showing good engagement on your blog can help you get gigs moderating others’ blogs for pay.
  1. Your content is easy to share. Your social-media share buttons for Twitter, LinkedIn, Facebook, etc. are easy to find and use. You also use them yourself, promoting your blog posts in social media.
  1. You guest post and leave comments on popular blogs. Circulating on other blogs is a great way to draw new readers to your own blog.
  1. You make it easy for visitors to subscribe. Ideally, your subscription form should be simple and visible “above the fold” — ideally, right at the top of your sidebar. Don’t make readers hunt for it.
  1. You have a funnel of products to sell.Top-earning bloggers have a variety of products at price points from low to high. For instance, a $9 ebook, a $47 ebook, a $97 course, and a $500 bootcamp. The lower-priced products act as marketing tools that motivate readers to want to buy your higher-priced products.
  1. You know how to affiliate sell. Once you attract an audience, you can sell products they would find useful. On this blog, I have taken the approach of only selling products and tools I personally use and recommend. It’s a way to sell with integrity that works for me and doesn’t feel sleazy.
  1. You don’t clutter up your home page with too many ads. If your ads aren’t earning much, take them down. They may be a turnoff for viewers. An alternative is to group them on a separate Products I Love page.
  1. You persist. It takes time to build a following, often a couple of years. Keep at it and don’t give up before it pays off.

 

Carol Tice is a freelance writer who focuses on writing and ghostwriting business books and e-books. She’s written for Delta Sky, Forbes, Entrepreneur, Seattle Magazine, Costco, American Express, Shopify, Freshbooks, and many others. Carol founded the award-winning Make a Living Writing blog in 2008, which has been repeatedly named to Writer’s Digest’s Top 101 Blogs for Writers list. It now offers over 1,000 free posts on how to break in and grow your writing income. Her Freelance Writers Den learning and support community was founded in 2011 and has over 1,000 members. Carol has taught over 20 online courses and self-published 10+ e-book titles for freelance writers. She’s also the author/coauthor of two traditionally published business books for entrepreneurs.

Categories: Blogging, Carol Tice, NAIWE Board of Experts

6 Irresistible Reasons to Stop Explaining Yourself

Monday, December Post a comment

Writers and freelance editors often have to deal with naysayers and critics who can’t imagine why they don’t just get a “real job.” It can be hard to withstand the barrage of criticism until you’re willing to accept that it’s probably not going to change anytime soon. Here’s an article that can help you settle comfortably into your decisions and let criticisms fly by. The less time you spend on reacting to other people’s issues, the more time you can spend on creating a joyous and successful life.

 

Rita’s parents didn’t approve of her choice to get a new kitten. Rita was expecting a long letter from them filled with judgments about her irresponsibility. As she waited for that letter, she was figuring out what she would write back.

Sylvia, one of my Platinum-level coaching clients, just bought her dream house. She avoided telling her father about it for fear that he would judge her, call her irresponsible, and proceed to describe her imminent demise. She finally did tell her father. On a telephone call I had with her, she told me that she was waiting for his reaction and gearing up to explain her choice to him.

Now, there are some people who might read these stories and think, “Are you kiddin’ me? Who cares what anyone thinks about your houses or cats or anything??!”

If this is you, then read no further. This article is not for you.

I’m writing this for the “explainers” out there. And it doesn’t matter if you explain to parents, partners, or priests. You know who you are!

You’ve heard me talk about the benefits of going “Complaint-Free,” right? Well, today, we’re going to talk about going “Explaint-Free!”

And here are 6 irresistible reasons to do just that:

  1. Waiting drains your energy.
  • When I’m coaching an explainer, I can see that much of her energy goes to the act of waiting.
  • She waits for judgment.
  • She waits for people to “get” her before she’ll take action.
  • She waits for people to approve of her choice.
  • She waits for criticism.

This literally drains her creative life force. Both women in the examples above were losing energy waiting for criticism.

Here’s your first big challenge: Give up the nonactivity of waiting.

  1. We all need to learn to trust our choices.

Explaining robs you of empowerment.

Our decisions teach us valuable lessons about intuition and instinct. RARELY do our clear decisions come from our mental activity. Gut instinct is clearer than our critical minds.

When we explain ourselves, however, we move away from the place of deep trust in our intuition and into the realm of mental activity, where the choice didn’t come from in the first place! We’ve suddenly stopped honoring and trusting ourselves and started creating a pattern of mental activity as we question our choices.

  1. Explaining blocks creativity.

Creativity means you’re the Creator of your life. You’re a Creator. Not a Reactor. When you explain yourself, you become a “Reactor.” You can’t live in both realms at once. They contradict each other. Living in a state of reaction causes you to cut off the flow of creativity.

  1. Disapproval is a great opportunity.

Huh?

Yes, I’m serious about this!

Becoming an adult in the deepest sense is about learning to take responsibility for your actions and choices. Sometimes that means other people won’t like these actions and choices. And what a great opportunity people provide when they do that!

I once heard a relationship coach say that love can sometimes mean letting your partner be disappointed in your choices. Think about that. Can you stand in your body and love someone enough to allow them not be happy with a choice you’re making?

  1. Explainers endorse irresponsibility.

People who take personal responsibility for their lives do not blame others (or themselves) for their unhappiness, for their life situations, or for their financial state, etc. Instead, they recognize that they created it, and they can uncreate or recreate anything. It’s an empowering place to live.

Many people do not live in this level of personal responsibility. They are too busy blaming other people, taking other people’s inventory, and looking outside themselves for their happiness. Teacher and author Byron Katie calls this minding other people’s business instead of your own.

Your choice to explain yourself teaches other people that it’s okay not to take responsibility and that it’s okay to mind your business instead of their own. Your explaints actually perpetuate the pattern of irresponsibility!

  1. Explainers play small. It’s time to play big.

Explainers are waiting for permission, or approval, or for people to “get” their choices. So much unhappiness and depression comes from a lifetime of waiting for these meaningless things. It’s the ultimate meaning of Playing Small.

Playing Big means you trust in yourself enough to make lots of mistakes—and keep going anyway, no matter what people say to you. Playing Big means being clear and making decisions from your soul. And, by the way, your soul doesn’t feel the need to explain anything!

 

Christine Kane is the Mentor to Women Who are Changing the World. She helps women uplevel their lives, their businesses, and their success. Her weekly LiveCreative eZine goes out to over 12,000 subscribers.

Categories: Christine Kane, Freelancing, NAIWE Board of Experts

7 Telltale Signs It’s Time to Get Over Yourself and Get Support

Monday, December Post a comment

As freelance writers and editors grow more successful, they often find themselves becoming scattered and busy with tasks that aren’t directly related to writing or editing. Christine Kane points out that clinging to off-target tasks steals time from what you’re really meant to be doing, and suggests that outsourcing or hiring help is a major step in becoming more productive and profitable.

 

Back when I had a lawn, I used to mow it myself. I was a tried-and-true DIY gal. I prided myself on it.

Only problem: I freakin’ couldn’t stand mowing the lawn. I dreaded it all week. Even when I was happy once it was finished, I started dreading it again the very next day!

At that time, I was beginning to uplevel my life and business. I began seeing my time differently. I realized that the simple act of writing a song like “Right Outta Nowhere” could pay me—in the long run—WAY more than the money I saved by mowing my own lawn.

In other words, I learned how to value my work. I learned how to act on that value. Was it scary? Yes. But when I finally hired someone to mow my lawn every week, I learned all about success and the value of my time. In other words, I got over myself and my fear of lack.

These days I’ve taken it to a much bigger level, and I have a team working for me.

I now teach my clients new ways of valuing their time as they expand into more success in their own lives. They always end up realizing the ROI (return-on-investment) of getting help!

Here are 7 telltale signs that it might be time for you to get some support, too:

  1. You don’t have enough time to do the thing you’re best at.

What are you good at? What do you want to be good at? How much time do you actually spend doing that thing?

If you’re running around getting menial tasks done – and you have no time to pursue your passion, or engage in your high-pay-off, high-delight activities – then ask yourself why.

Even if you let go of one item (like cleaning your house) you’re telling the Universe the value of your time. (And you know what? The Universe always says Yes.)

  1. You resent people who don’t struggle.

This is a big one.

If you hold resentment for people who live life with joy and ease, this could be a sign that you are waiting for rescue. That just leads to more struggle.

Only YOU are in charge of whether or not you struggle. Rescue yourself and learn what true empowerment feels like.

  1. You’re worried about the economy.

Waiting for the economy to get better before you’ll hire someone? Why not become a part of the solution and use your money to improve the economy?

While everyone else is pulling back and firing people; you can experience what it’s like to be the change you wish to see in the world!

  1. No one can do it as good as you.

If you just shouted “Amen Sister!” then please step away from your computer. Go to the bathroom mirror. Look into your eyes and say the following aloud:

“I have a bit of a control issue.”

The belief that no one can do it better than you serves only to keep you in the role of the martyr. Unless you are, say, a brain surgeon, then there are many people who can (and will) do it as good as you. (And I doubt that brain surgeons run around cleaning the floor after surgery!)

  1. You’re playing not to lose.

Ask any coach or athlete about this.

When you play to not lose, all you’re doing is surviving, relying on yourself, and hoping no one notices you.
When you play to win, you take risks, you keep your mental attitude strong, you rely on the team, you look for the goal. Decide that you want to play to win.

  1. You’ve used this phrase at least once in the past month: “By the time I show someone how to do it, I could just do it myself.”

This is the mantra of someone who refuses to succeed. It’s the mantra of the struggle-addict.

Learning how to delegate is empowering. Not just for you, but for others as well. Besides, when you show them how to do it once, they can keep doing it so you don’t have to!

  1. You dread certain things so much that they don’t get done.

It’s okay to not enjoy aspects of your work or your life. This is the exact thing you can hire someone to do.

What items do you dread? No matter what they are, when you get them off your plate, you’ll experience more energy just knowing they’re getting done, and you don’t have to worry about them anymore!

 

Christine Kane is the Mentor to Women Who are Changing the World. She helps women uplevel their lives, their businesses, and their success. Her weekly LiveCreative eZine goes out to over 12,000 subscribers.

 

[Editor’s note: I loathe the bookkeeping and accounting parts of having a business, but kept doing it for a long time because I felt I couldn’t afford to outsource it. When I finally did, my productivity shot up, and I began finishing projects that had been lingering for months or even years, which raised my income more than enough to cover the cost of the outside help. Christine’s right– outsourcing is a step up in your career, and you probably need to start doing it.]

Categories: Business, Christine Kane, NAIWE Board of Experts

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