Your first sentence, your first paragraph, should grab your reader . . . maybe even by the throat, like a good murder!
Writing a mystery book or series is akin to putting together a puzzle with a thousand pieces. Where should you begin? Do you start the puzzle with the corner and edge pieces, providing details on the main characters including the heroes and criminals? Or do you start in the middle, revealing upfront the murder and complexity of the story plot?
Whether you start with corners, or centerpieces, what matters is sticking with your structure and then pacing the plot. You need to keep it moving forward by creating suspense with clues and mysterious happenings.
In the television mystery series Columbo, the murder always took place at the beginning of the story. The seemingly flustered but persistent detective follows various suspects and clues to eventually catch the murderer. In other television mysteries, you follow the path of an ordinary citizen — writer, baker, doctor, librarian, or florist — who is captivated by certain events and incidentally gets involved in solving crimes. These amateurs just can’t seem to help themselves, even when following the clue leads them to danger.
From these types of mysteries known as cozies to film noir with gangsters and hard-boiled detectives to terrifying thrillers, mysteries have long appealed to the reader and viewer. As a writer, you can choose your own style, your own way of creating characters and stories of murders and mayhem, and your own way of presenting clues and suspects leading toward solving the crime. Yet, there are certain elements essential to a good mystery, which can take the reader on a fascinating ride through a criminal’s mind and the minds of those who reach into that mind to catch them.
Yes, everyone has a right to remain silent! Even you . . . right to the end. Of course, you eventually have to get the bad guys to talk or confess or have someone give them up. Along the way, you are also on the chase with your characters through conflict, danger, and mystery. However, your intent is to capture your readers!
You want your readers to become involved and interested in your story so they follow the clues you leave, and they attempt to solve the crimes along with you. Don’t make it too easy: there should be a number of possible suspects. Enhance the plot with character conflict and red herrings that might confuse and steer the reader away from the real murderer. The bad guy can also lead the reader astray by placing suspicion and blame on someone else.
A good mystery story includes an intriguing plot, interesting characters (often with unique characteristics), descriptive places and locations that set a mood, interesting and controversial dialogue, clues (real and false) leading to the bad guys (and gals), and a bit of humor. Be clear about your point of view. Is it from the perspective of the main character as in Sue Grafton novels or a third person as in Raymond Chandler mysteries?
Ultimately, you want to be able to explain your characters’ motivation for their criminal behavior. Common sources are anger, hate, power, money, and, of course, revenge. Revealing truths, secrets, and lies with stories of betrayal and vengeance with surprise endings leave your readers wanting more — especially in a series!
Although you might think it strange, I suggest you ask yourself what your motivation is for writing or wanting to write mysteries. In my mystery series, The Senior Sleuths, the actions of my senior characters, Dick and Dora, often reflect my truths about life and relationships.
Marcia Rosen (aka M. Glenda Rosen) is an award-winning author of eleven books including her newest one, An Agatha, Raymond, Sherlock and Me Mystery: Murder at the Zoo plus The Senior Sleuths, Dying To Be Beautiful Mystery Series, and The Gourmet Gangster: Mysteries and Menus (menus by her son Jory Rosen). She is also author of The Woman’s Business Therapist and award-winning My Memoir Workbook. For 25 years, she was owner of a successful national marketing and public relations agency. Marcia has frequently been a speaker or program moderator at organization meetings and conferences, bookstores, libraries, and Zoom programs. Topics she has taught and presented over the past twenty years include Encouraging the Writer Within You, Marketing for Authors, Writing Mysteries…Not A Mystery, Writing Your Memoir, and recently Anatomy of Writing a Murder. Many articles on these topics have been published on mystery reader blogs and in newsletters and magazines and her newest articles relating include Location, Location, Location: Murders Have Their Places; Hearing Voices of Past Famous Detectives: Their Impact and Influences; and Writing Mysteries at a Zoo: With Caution. She is a member of Sisters in Crime National and New Mexico (Croak & Dagger), Southwest Writers, New Mexico Book Association, Women Writing the West, Public Safety Writer’s Association, Women’s National book Association, and National Association of Independent Writers and Editors.
Leave a Reply