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Good vs. Bad Book? Don’t Judge

Friday, October Post a comment

K.M. Weiland is an excellent resource for writers of all types. Her website Helping Writers Become Authors should be on everyone’s shortlist of helpful websites. Also, her books on writing are excellent and merge well with Agile Writer theory. But in a recent site article titled “Why Do So Many Bad Books Sell on Amazon?” she steps over the line from advice to judgment.

In the article, Marsh explains that Amazon has started promoting e-books that are newer—like only 30 days old. This has allowed “ghostwriters” to churn out new stories using a template from a previous book (replace princess with enchantress, replace castle with mansion, etc.). Thus, these writers are producing a book a month and getting (presumably) good sales.

Ms. Marsh argues that this promotes bad books. At Agile Writers, the definition of success is getting your book into the hands of readers who want them. If readers are buying these copycats, then they are probably satisfied. Otherwise, they’d return them (you can return e-books, you know). Therefore, these are not bad books. They are finding a home with people who crave the same plotlines with different characters and locations. The romance genre is rife with this sort of churning.

And that’s, okay.

It’s the responsibility of the author to work the system—to play the game—to get their work into the hands of readers who want to read it. Knowing how the game is played and then playing the game well does that.

Ms. Marsh goes on to lay out a plan to deliver good books (in her estimation) by splitting a novel into segments that are released every 30 days. This is a brilliant strategy the uses the Amazon system to the author’s benefit. There is no need to qualify good vs. bad.

The READER determines what is good or bad, not the author—and not the algorithms at Amazon nor the publishers in the ivory towers of the Big Four publishing houses.

I heartily recommend Ms. Marsh’s article because it lays out the information you’ll need to get your book in front of more readers’ eyes.

However, this should be only one arrow in your quiver of promotional tools. Remember – Amazon is a destination site. People go there because THEY KNOW WHAT THEY ARE LOOKING FOR. Impulse buys on Amazon are far less likely than in a brick-and-mortar store like Barnes & Noble or Books-A-Million. People go to bookstores, newsstands, drug stores, and others without knowing precisely what book they want – if any.

But because the self-published author doesn’t have the advantage of in-store sales, we have to rely on self-promotion. And by self-promotion I mean social media and search advertising.

Learn the rules of the game. Then play the game well. The definition of a good book is one that finds its reader. Make sure your book finds its home in the hands of the reader waiting for it.

 

Greg Smith is a writing coach, editor, and publisher. He founded the Agile Writer Workshop in 2011 with the mission of finding a method to help beginning writers complete a first draft in six months. The Agile Writer Method is based on the writings of experts in mythology, screenwriting, psychology, and project management. His seminars on the Agile Writer Method have informed and delighted thousands of writers, scholars, and university students. Agile Writer authors have written over 50 first draft novels and 10 published novels. Greg is a developmental editor for novelists and memoirists. He also coaches authors through the self-publishing maze. Greg runs the popular Agile Readers Book Club where new writers can get a beta read from a dozen or more readers.

Categories: Book Marketing, Greg Smith, Writing

Does the Threat of a Social Media Armageddon Got You Down?

Thursday, April Post a comment

On Thursday, I awoke to do what I always did, and that meant checking my numbers on Amazon and my engagement on Facebook and making sure to post.

You see, I had a few important things to share with my audience—information of books available in Kindle Unlimited; a notice about other books able to be downloaded for free as part of a new promotion; and, of course, a pitch for my latest preorder.

However, something went wrong.

No matter what I did, the post wouldn’t post; the image errored out. There was no Instagram or Facebook available. Moreover, the panic spread.

Soon, there was noise on Twitter about the social media breakdown. What could we all do, as the platform we’d been building was unavailable?

For many, this could be akin to an Armageddon.

Not so for me . . . you see, I’d been spending time not just building up my social media, but also my platform with my author newsletter.

A newsletter is a cheap and useful marketing tool that you as an author can successfully use to share your news, voice, and branding. Even more, it is a great way to engage with your readers and create a warm relationship. It is the first step to creating an audience that looks forward to hearing from you and about your news.

How do you start an author newsletter?

  1. If you don’t have a website, buy your domain. (Your website domain is your online real estate and where you want to direct your readers to find out more about you.)
  2. Set up your author website and e-mail address.
  3. Sign up with a newsletter provider, like MailChimp, and share the sign-up link to your social media.
  4. Embed your sign-up link on your website.

 

By building your e-mail list for your newsletter, you no longer have to worry about your business relying on whether social media is still operational. Instead, you will have a direct line to your audience.

Now that you know newsletters are essential for your author-business, be encouraged. Today is a great day to start your author newsletter and connect with your readers.

 

Tina Glasneck is a USA Today bestselling author of fantasy and crime fiction. Since 2012, she has created author events, has held online book fairs, and continues to assist authors on their journey. She frequently teaches on the topics of book promotion, author newsletters, as well as the business of publishing. Tina has published more than 20 books in the fantasy, crime fiction, and mystery genres. She persists in her vision and author goals to create a world of wonder through her fantastical tales.

 

 

 

 

 

Categories: Book Marketing, Social Media, Tina Glasneck, Writing

What’s In Your Book Marketing Tool Kit?

Monday, March Post a comment

Your best resource to market your book is you. Reach out to the people you know and those they know. Your book will get discovered if you market your book using these 32 tools:

  1. Facebook
  2. LinkedIn
  3. Google+
  4. Twitter
  5. Pinterest
  6. Website
  7. Email
  8. Business card and name
  9. Logo
  10. Directories and lists to sell to
  11. Your blog
  12. Other bloggers
  13. Skype
  14. FreeConferenceCall.com
  15. Texting
  16. YouTube
  17. Facetime
  18. Webinars
  19. Podcasts
  20. Apps
  21. FourSquare
  22. AroundMeApp.com
  23. TimeTrade.com
  24. EmailFinder.com
  25. SalesForce.com
  26. Spokeo.com
  27. GoToMeeting.com
  28. Webex.com
  29. FreeScreenSharing.com
  30. SurveyMonkey.com
  31. Zoomerang.com
  32. KwikSurveys.com

Good luck!

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

What If Authors Were Treated Like Athletes?

Monday, March Post a comment

The NBA and NFL lockouts remind me why I love sports but hate the way the pros operate. Every bailout, strike, contract negotiation, free agent signing, and stadium-naming deal reaffirms professional sports are more like corporate America. The fan or customer is an afterthought and taken for granted. If only the fans could muster the ability to override their addiction and boycott for a long enough time period to reassert who is in charge, we’d see a very different sports landscape.

In thinking about sports and how it mirrors life at times, I wonder how book publishing can mirror pro sports. What if

  • Authors formed a union, like the players, and dictated terms to the publishers?
  • Authors could be named to annual All-Star teams or named as Hall of Famers for their career contributions?
  • Authors were applauded by a sports-arena-sized crowd?
  • Authors only had a 4–5-year career the way most athletes do?
  • Authors wore uniforms and sold merchandise with their name on it?
  • Books had sponsors and advertisers filling every other page?
  • There were daily television casts dedicated to books the way networks cover sports?
  • There were statistical data to rate an author’s book, other than total sales, similar to all the stats used to rate players and teams?
  • People booed authors at a signing the way fans curse at ballplayers from the stands?
  • Celebrity gossip columnists kept track of which publishers and editors are sleeping around the way they track the conquests of athletes?
  • An annual awards show for authors was televised like the Oscars, Emmys, and Grammys?

The truth is authors are not treated like star athletes, celebrities, or politicians. They struggle to get published, to be read, and to be appreciated. Sure, some books become best-sellers and gain some fame and small riches, but by and large, millions of gifted writers conclude the year wishing they received more media attention, more money, and a wider acceptance as a writer.

Many writers write because it’s their gift and their passion and they find reward in knowing they penned what they believe is a good book. But every writer wants the applause, the critical praise, and the validation. Some even want to change the world.

So when you watch the Super Bowl or World Series this year, imagine, just for a moment, the players on the field are writers. They are you and everyone is watching and cheering. Stand up and take a bow. It may be the only recognition you will ever get.

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

Welcome to Book World, the Greatest Theme Park

Monday, February Post a comment

How come there aren’t any theme parks dedicated to books and publishing? I think it is a billion-dollar idea waiting to be acted upon. I am sure one day we’ll see billboards or Groupons for AmazonWorld—or maybe Barnes & Noble Land. Wouldn’t you bring your family and friends to a place that celebrates ideas and creativity, that honors the written word and free speech, and that makes reading fun?

This past week I had the pleasure of taking my wife and two young kids to several theme parks in Orlando. Never mind that the parks only cater to people who can afford to drop $100 per person per day and who are willing to pay for the right to then purchase overpriced food and licensed products that further promote their properties. I also paid the tourist tax (speeding ticket) for attempting to turn the 180-mile trek to Boynton Beach from the parks into a quicker excursion. We had a great time and plan to be back again—albeit with a lighter wallet.

The theme parks have the right idea—they hype their existing content and repackage it in a way that makes it appealing to all ages. If movie studios can do this, why not publishers or those in the book industry?

Books connect to everything because they are written about everything—real and imagined, past, present, and future. A theme park can show what a book looks like in different languages. It can show us how books are treated globally or culturally. It can show us how books entertain, educate, enlighten, or inspire. Books, like the Bible, can be powerful, or they can be merely thrill-seeking, like Fifty Shades of Grey. The park can reflect a diversity of thought, significance, creativity, and commercialism.

Maybe bookstores should be turned into theme parks. Then they’d become entertaining destinations and people would want to be where books are.

The publishing industry is like a play yard. It has tradition. It has many facets to explore—the legal side, the cultural side, literacy, how books influence people and societies, and how our history is preserved in books. There are millions of words in millions of books and not one theme park is dedicated to books.

We have museums dedicated to art, history, and science. We have zoos and circuses to highlight nature and animals. county fairs, championship sporting events, theme parks, amusement parks, and huge concert arenas . . . even businesses have conventions. When we think about it, most industries have a hall of fame. Yet there are no publishing theme parks.

Can’t we muster together a little bit of Trump extravagance and apply it to books and come up with a place that exceeds what is offered at the biggest palaces of fun in the world? We can! A book park could be divided into so many unique sections that highlight interesting aspects of the book industry, such as

  • All-time best-sellers
  • Historically-significant books
  • The evolution of publishing technology
  • The history of the printed word
  • The future of books and all formats
  • Books turned into audiobooks, TV shows, movies, plays, etc.
  • How books are written
  • How they are acquired, edited, packaged, sold, promoted
  • Self-publishing
  • E-book mania
  • Era-specific books such as 18th-century romantic poets or 1950s sci-fi
  • Region-specific books such as those by or about the south
  • Book-specific sections such as Catcher in the Rye or Chicken Soup for the Soul
  • Author-specific sections such as the works of John Grisham or Janet Evanovich
  • Genre-specific sections such as what’s new in erotic vampire thrillers or diet and fitness

Think of what can be sold:

  • Food
  • Games/Toys
  • DVDs
  • CDs
  • Clothes
  • Stuffed animals of book characters
  • Replicas of things referenced in the books
  • . . . and BOOKS!

There can be displays that include:

  • Book showcases
  • Videos
  • Rides
  • Games
  • Lectures
  • Readings
  • Reenactments
  • Workshops
  • Concerts
  • Tricia contests
  • Historic manuscripts
  • Printing presses
  • E-book devices

Maybe there’d be a university on site, a special academy that is a school for writers and those who want to work in the book publishing industry.

There could be sections for adults and children. There could be sections of books highlighting industries such as automotive, gardening, or sales. There could be a hobby section, a fantasy section, a children’s section—really, you could put anything in the park as long as it relates to books. And everything connects to books.

Of course, some might say the best way to honor books is to buy and read them, share them, and live them. But imagine a place that bibliophiles can call home, a place that is part library, bookstore, e-reader, website, Disney, Vegas, Indy 500, Miss America Pageant, Mall of the Americas, Mardi Gras, and Time Square.

Take me to Book World—or write a book about such a place. Book World should exist and needs to. Books are still popular but they also are under many threats. It is not government censorship or Communism or war that threatens them. It is cultural laziness, a degraded education system, economics, and entertainment competition that puts books in danger. Book World could be a great boost for the publishing industry, while being fun for the whole family.

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

Don’t Let Book Marketing Fears Keep You From Achieving Success

Sunday, February Post a comment

Not everyone can write a book. Not everyone can sell a product. As an entrepreneurial writer, you will need to do both—or outsource your book marketing. Do you have any of these fears that hold you back from executing a book marketing campaign?

  • I don’t think I have enough resources—time and money.
  • I am not sure my book is better than others.
  • I don’t like to sound like I am begging.
  • I don’t want to appear too pushy.
  • I fear rejection.
  • I am afraid I will be asked questions that I don’t know the answers to.
  • I am not sure what to do to be convincing.
  • I don’t like to talk to others.
  • I am not confident about my appearance.
  • I don’t know what to say.
  • What if they don’t like me?
  • What if they laugh or yell at me?

The key to conquering any fear is to acknowledge it, seek solutions, and get help. Or admit defeat and hire others to help you. Else, you will need to be content with the negative consequences that your fears tend to bring about. To overcome your book marketing fears simply jump in the water and start selling. You may just learn to swim.

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

Do You Know Joseph Finder?

Sunday, February Post a comment

My firm was just hired to promote the newest novel from Joseph Finder. We’ll conduct a radio tour to promote the late June publication—a spy thriller. We’ve promoted his books a number of times. What surprises me is how many people have never heard of him, although when I first started promoting him, I didn’t know of him either.

It’s interesting that someone as successful as he has been—five New York Times best-sellers with four million copies in print—can be under the radar. Then again, in a country of 310 million, it’s easy for the vast majority to not recognize best-selling authors, movie stars, politicians, Grammy-winning musicians, or leaders in major fields and industries. There is simply too much to keep track of. Plus, the top people in their given area of expertise, may “only” have tens of millions of fans—or just a few million, still leaving 250+ million people who don’t know anything about the Joseph Finders of the world.

What surprises me is if something can break through, like a Harry Potter book, and gets lots of publicity, ad support, and praise from fans, how come it doesn’t go all the way, and get into the hands of practically everyone? Is it getting to the point that our society’s interests are so varied that we can’t get the majority to like the same thing or know about the same things?

Social media may be contributing to this, to a degree. We’re fragmented. Few national discussions or centralized platforms exist. Instead, we have people tweeting and blogging to a core group of self-selected followers and we have, literally, millions of public discussions going on simultaneously but nothing to unite us. And yet it is probably social media that affords us the best chance to rally the masses to focus on specific issues, people, events, or even books.

I know that we’ll schedule a great radio tour for Joseph Finder. We’ll get him a few dozen interviews with top-tier markets and inform millions of listeners about him. Now we just need to reach the other 300 million people.

Random thought: 51% of Americans age 12 and older have profiles on Facebook, up from 8% in 2008, according to a recent Arbitron/Edison Research survey. What can you conclude from that? I’m surprised to see 49% don’t have profiles, but then again, why does this study include pre-teens? Does a kid really need a Facebook page?

I also thought about seniors who still may not be as active online as others, as well as illiterates, people who can’t afford a computer, and those who don’t speak English well. Really, that 51% number is probably more like 80% of the people who are active and contributing to society. What’s most interesting is how in just a few short years the majority of the country lives on one social networking site. That’s a lot of power and potential there, but how are we harnessing it to market books and to make the world a better place?

Also, Google is king of the search marketing industry. Over 2 million searches take place using Google every minute, according to the New York Times.

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

Can Any Book Survive the Future?

Saturday, February Post a comment

All creative artists want their work to be embraced by a loving public, even long after they are dead. They want to leave a legacy and to be appreciated by others. It doesn’t matter if it’s art, film, books, architecture, or other forms of creation—the desire and drive of all creators is the same.

Sure, some are ego-driven, money-hungry, fame-seekers, but all, at the heart of their efforts, want to see their work valued and to know it has inspired, enlightened, entertained, and informed others. They want to know they sparked a dialogue, provoked action, stimulated thought, and led to a change in society or impacted lives. Writers want to think that they created something not just for today or for a generation, but something everlasting and permanent.

The truth is it doesn’t work that way. Not at all.

The other day, I was in a public library helping my eight-year-old son do research for a school report he was writing for his second-grade class. While we looked for books about the Blue Iguana of the Cayman Islands (we found none), I happened upon a volume titled “Colonial History to 1877.” As I flipped through the pages of the book, I realized how much has happened in our nation’s history of nearly 237 years, and I said to my son: “You know, there will come a time when all of the history you will spend your school years learning will be taught in a day.”

Eventually, there will be little difference between 1813, 1913, or 2013, because so much history will have taken place over the years. Here’s what may happen:

  • The more recent history of the present era will seem more significant and important than the distant past.
  • So many more significant things will happen in the centuries to come that by the time it is 2513, to reflect on the quaint times of today will seem insignificant.
  • As time goes by, the time dedicated to studying history will be replaced, in part, to be used to learn new skills that future technologies will bring about.

Our ability to record news, find facts, publish analysis, and share information will overwhelm the education system and forbid it to properly give students enough time to discuss any specific event or subject in great detail.

Every year that goes by, the amount of classroom time spent learning about history generally remains the same but the amount of time put to any one event or person shrinks because more history is created and has to be covered. History books have three decades of history and five more presidents to write about since I graduated high school in 1984.

How much longer will the school year need to be in order to properly cover future history? I calculated I spent about an hour per day in class on history—some 2,160 school hours (an hour per school day, 180 days per year, 12 years). That is about 10 hours dedicated per every year of this nation’s history. That means another 290 hours of instruction would be needed just to cover the last 29 years. What will that come to in 100 years? 1,000 years? 10,000 years?

So, I come back to my opening remarks about the lifespan of a creative artist’s work, especially books. We still read old books—the Bible, works of Socrates, Plato, Aristotle, and some ancient texts, but compared to all that has been written and published, how many books are read well beyond an author’s lifetime? Most books expire. They have a shelf-life even if they can exist forever online. Relevance, discoverability, language—all of these things doom most books.

But it does not stop us from writing as if our words will last forever. Heck, before we can think about our works being read and enjoyed a century from now, we struggle to find readers today. But we can strive to write today and hope the words live another day.

The odds of being read today are much greater than they will be even next week, when, at least 7,000 more books will have been published by traditional publishers. Write as if you’ll be read tomorrow, but hope to be read today.

Remember these words, for chances are they won’t live beyond your lifetime: Create because you reflect the truth. Create because you need an alternative to the truth. Create because you don’t know the truth. Create, to inspire greater truths.

History will tell us what really was true, if only history were complete, unbiased, and accurate. Who knows how long your words will exist, so make them count right now. If your words do their job to inspire greatness, change, and more creativity, then they will become useless and unneeded with time. They will have led a revolution that will render them obsolete. Perhaps being made obsolete is the honor to strive for.

Will your words stand the test of time?

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

Battle for Book Sales Beyond Amazon

Saturday, February Post a comment

The marketplace for books—whether print, digital, or audio—is clearly owned by Amazon. According to RR Bowker, as of October 1, 2012, Amazon accounts for 27% of total units sold, which is an improvement from 21% a year earlier. Barnes & Noble went from 17% to 16%. Other than these two retailers, no single company scored in the double digits. In fact, no single category of sales channel hit double digits. Here’s how the rest of the book marketplace breaks down:

  • All independent bookstores, combined – 6%
  • Other ebook and audio download sites – 6%
  • Other e-commerce sites – 6%
  • All book clubs – 5%
  • Discount, closeout, and thrift stores – 5%
  • Walmart – 4%
  • Non-traditional bookstores – 3%
  • Warehouse clubs – 3%
  • Christian bookstores – 2%
  • Target – 2%
  • Books-A-Million – 2%
  • Supermarkets – 1%
  • All other means – 12%

The book marketing battlefield runs beyond bookstores or e-commerce sites. Books are everywhere and nowhere. But however they are sold, there is no doubt that sales will always be driven by savvy book marketing and the garnering of news media coverage. Word of mouth makes a big difference but only once there is a critical mass of interest that builds up form marketing exposure. Publishers and authors will continue to identify their target readers, sell their books everywhere in every form, and market to their core readers. Promote—or perish!

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

What’s a Book Worth?

Friday, February Post a comment

As the debate rages within the publishing industry over how much information is worth, a May 3rd Sotheby’s auction yielded a $170 million windfall for 44 works of art. There was one painting—a Picasso—that sold for $21.3 million. It made me wonder why we don’t value the written word the same way.

Now, granted, books, other than ancient or rare manuscripts, will never fetch millions of dollars, but why is information today being devalued in the marketplace?

The Internet poses many challenges to information peddlers. Book publishers, newspapers, magazines, and websites are still searching for the ideal pricing model. Part of the problem is there’s so much information out there and a lot of it is free. But the art of writing should not be commoditized, where we weigh words by the pound. It’s the quality, more than the quantity, of content that should count.

As it is, many authors fail to earn much from their work. Publishers Weekly reported on a study performed last year that showed 7% of all books published generate 87% of the sales revenue. Further, 93% of all published books sold less than 1,000 copies each. In fairness, many sales happen off the radar (via authors’ sites, seminars, bulk organization sales, etc.) and thus there are probably more successful authors thank this study shows, but still, these are sobering statistics.

Book publishers have made a tactical error in making ebooks so cheap. As a result, they undercut the perceived value of all published writings. It’s a model that, the longer it persists, will be harder to reverse. I would prefer they give extra value to a higher purchase price, rather than lower the price.

There are many factors weighing on the pricing of information, including the following:

  • We’re still in a recessionary mode and for some, buying a book or subscribing to a magazine poses some challenges.
  • Publishers are playing follow the leader, letting Amazon, Apple, or Walmart dictate terms. If a publisher tries to push its own model, it has to compete against what the vast majority has established.
  • All information is competing with each other, so people are choosing what to spend money on—while also reading free blogs, posts on social networking sites, and tweets.
  • More than ever before, people are spending time creating content and writing and, therefore, devote less time reading and buying the works of others. Our nation is moving from consumers to producers of content.
  • Aside from free and purchasable information, there is a competition for time and mindshare. People also devote hours and hours to television, radio, video games, on-demand video, and a host of other entertainment forms.
  • As the number of e-readers increases, more people will secure information digitally, and thus, the printed version of content is likely to suffer lower sales.
  • Global competition online. Walking into a bookstore used to confront you with hundreds of thousands of choices but online, the choices extend to the millions. Books never go out of print online and no boundary of store or country stands in the way of your accessing materials from around the globe.

 

In time, the dust will settle. I would venture a guess that in a few years a clearer model of pricing will develop and the lines will blur as to what even constitutes a book. Information will merge and the distinction of what’s a book, a magazine, a newspaper, or a blog will become less clear.

Just look at television and movies. The boundaries of distinction are decreasing. Not long ago the major TV networks produced content and then syndicated reruns were shown on cable stations. Now cable stations produce original shows. Netflix used to rent old TV shows and movies. Now it’s getting into the game of airing shows that didn’t air elsewhere first. More importantly, people are not going to movie theaters as often as they used to and not buying DVDs as often as they used to. They watch it on TV or through streaming online video, for free or little charge. Even worse, millions of homes are off the TV grid.

Nielsen reported that 3.5% of all homes do not own a single TV. Some of it is attributed to the recession, although TV-based entertainment is cheaper than almost all other forms. Some of it is attributed to the switch two years ago over the elimination of antennas, thus requiring transition to cable or the purchase of a converter box. Others may simply believe TV offers nothing of redeeming value and avoid it. But the real culprit may be the Internet. People are watching TV for free online.

So what does all of this add up to when it comes to pricing books? I would suggest publishers stop lowering their prices and curtail all of the free content to a degree. Or else look for ways to trumpet the uniqueness of a book. Authors devote their lives to their writing. Shouldn’t they get paid more than what comes out to below-minimum-wage royalties? This is true for self-publishers and print-on-demand authors: don’t devalue your own work. Once we’re all on the same page, the market shall improve.

But if writing doesn’t pay off for you, consider investing in art. I hear there’s money to be made there.

 

Brian Feinblum is the chief marketing officer of Planned Television Arts (rebranded as Media Connect), the nation’s largest and oldest book promotions firm. Brian has worked in the promoting industry since 1989 and has worked with clients of varied professions such as magician David Copperfield and best-selling author Og Mandino.

Categories: Book Marketing, Brian Feinblum, Writing

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