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Beyond Writing: How Expanding Your Services Can Strengthen Your Freelance Business

Wednesday, July Post a comment

When I first started freelancing in 2012, I spent about 80 percent of my time marketing and 20 percent of my time writing. Over time, that ratio flipped. As my client base grew, I spent most of my days doing the work itself rather than looking for the next project.

For many years, writing alone was enough to meet my business goals. But over the last few years, I’ve watched the marketplace change dramatically. Artificial intelligence has altered client expectations. Marketing budgets have tightened. Many organizations are investing more heavily in video, social media, and other forms of content rather than relying exclusively on long-form blogs, newsletters, and articles.

Like many writers and editors, I found myself asking an important question: How do I continue building a sustainable business in a changing environment?

My answer wasn’t to stop writing. It was to expand the ways I help clients solve problems. Writing is still a piece of that puzzle, but an increasingly smaller role in my business overall. It’s had an interesting effect: while it was hard to pivot, I also now have more of my “writing brain” left over for my own creative pursuits and publishing projects. Ultimately, that’s a win for me.

 

Why Marketing Writing Services Has Become More Challenging

The challenge facing many independent writers and editors isn’t a lack of talent. It’s that clients are increasingly focused on outcomes rather than deliverables.

A client may think they need blog posts. What they actually want is more website traffic, better lead generation, stronger customer engagement, or increased book sales. Writing remains part of the solution, but it is often no longer the entire solution. As a result, many freelancers are finding themselves competing in a crowded marketplace where writing is viewed as one component of a larger strategy.

That doesn’t mean writing skills are less valuable. In fact, I would argue the opposite. Strong communication skills are more valuable than ever. The difference is that many clients now need help connecting those skills to larger business objectives.

 

Look for Adjacent Opportunities

One of the biggest mistakes I see freelancers make is trying to diversify into whatever seems new, trendy, or profitable.

A better approach is to look for adjacent services that naturally connect to the work you already do and enjoy.

In my own business, diversification often happened because clients kept asking for help with challenges beyond writing. Could I help manage a project? Could I coordinate other freelancers? Could I help build a process? Could I advise on marketing strategy?

Those requests eventually led me into project management, consulting, fractional CMO work, fractional COO work, developmental editing, book coaching, publishing consulting, and content strategy.

The common thread wasn’t that I suddenly became an expert in a completely unrelated field. Instead, I built on skills I was already using every day.

Writers and editors often possess highly transferable skills, including:

  • research
  • organization
  • interviewing
  • communication
  • strategic thinking
  • process improvement
  • project coordination.

Many of us are already managing deadlines, coordinating stakeholders, gathering information, and synthesizing complex ideas. Those abilities translate surprisingly well into consulting, project management, training, coaching, and strategic advisory work.

 

Start Small Before Making a Major Pivot

If you’re considering adding a new service, resist the temptation to launch an entirely new business overnight. Instead, test it. Offer a small project to an existing client. Take on a short-term engagement. Explore the work before making a major commitment.

Every new service comes with learning curves and blind spots. There are often gaps in our knowledge that don’t become apparent until we work through a few real-world projects. Starting small gives you the opportunity to refine your systems, establish boundaries, improve your processes, and determine whether you actually enjoy the work. That’s an important point (it’s how I learned I really hated running Amazon Ads for other authors, but love doing Facebook ad strategy.)

Just because a service is profitable doesn’t mean it belongs in your business. The goal is not simply to generate more revenue. The goal is to create a business that is sustainable and enjoyable for the long term.

 

How Additional Services Can Deepen Client Relationships

One unexpected benefit of expanding my services is that I now work with fewer clients, but at a deeper level. Years ago, I might have had 10 to 15 writing clients at any given time. Today, I have only one client whose engagement consists solely of writing. Even that client recently approached me about expanding into project management and operational support.

When you become a trusted advisor rather than a single-service provider, your relationship with clients often changes. For example, I may begin working with an author as a developmental editor. Later, that same client may need help creating a marketing plan, navigating the publishing process, organizing a launch strategy, or coordinating outside vendors.

Similarly, a business client might initially hire me for content creation but later need assistance with project management, operational systems, freelancer coordination, or strategic planning. The result is a stronger relationship built around solving problems rather than delivering a single product.

Many of these relationships also tend to last longer. One of my current fractional CMO engagements is entering its sixth year. I’m harder to “let go” because I represent a big part of their marketing or operational plan.

 

The AI Opportunity for Writers and Editors

Artificial intelligence is often framed as a threat to writers and editors. While it has certainly changed the landscape, it has also created new opportunities. Nearly every client I work with wants guidance on AI. They want to know when to use it, how to use it, and where its limitations exist.

Because writers understand language, nuance, audience, and quality, we are uniquely positioned to help clients make informed decisions. In many cases, AI can help generate rough draft outlines, frequently asked questions, or ideas. In other situations, particularly when technical expertise, legal accuracy, brand voice, or strategic messaging are involved, human oversight remains essential. Lean into that. People trust me for my advice on this because I can show them where AI’s limits are and what’s at stake. Especially in the publishing world, many new authors don’t know what they should not be doing with AI, so I’ve had a lot of conversations about that with prospective clients who see me as a trusted ally from day one because I steered them away from dangerous waters.

Clients increasingly need someone who can explain the difference between what AI does well and where it really doesn’t belong at all. Same goes for conversations around software vs. people. That advisory role represents a significant opportunity for experienced professionals.

 

Build Multiple Referral Pathways

One final advantage of expanding your services is that it creates multiple referral channels.

Today, a significant percentage of my business comes through referrals. Some people refer me for fractional leadership work. Others refer me for book coaching, developmental editing, content strategy, or publishing guidance. Because I offer several complementary services, there are more opportunities for people to think of me when a need arises. That doesn’t mean you should offer everything. It means you should thoughtfully consider where your expertise can solve additional problems.

 

Moving Forward

The future of independent writing and editing doesn’t require abandoning the work you love. For many of us, however, it may require thinking more broadly about how we apply our expertise.

The strongest opportunities often exist just beyond the services we currently offer. By listening to client needs, exploring adjacent skills, and testing new offerings thoughtfully, writers and editors can create more resilient businesses while continuing to build careers centered on communication, creativity, flexibility, and problem-solving.

 

Laura Pennington Briggs
NAIWE’s Business of Writing Expert

Laura Pennington Briggs is the founder and CEO of the Freelance Coach. A three-time TEDx speaker on how freelancing is changing the economy, Laura has helped over 15,000 freelancers start and scale their businesses. She’s an expert on systems, project and client management, marketing a solopreneur business, delegating to team members, retainers, and developing multiple income streams for writers of all stripes. Laura is the author of five books, including the Six-Figure Freelancer, How to Start Your Own Freelance Writing Business, and award-winning Remote Work for Military Spouses. She’s currently preparing to defend her dissertation for her doctorate in business administration.

Categories: Editorial Services, Freelancing, Laura Pennington Briggs, NAIWE Board of Experts

How Freelancers Can Win on LinkedIn: A Practical Playbook

Monday, September Post a comment

For many freelancers, LinkedIn is an afterthought — a static resume that rarely gets updated. But used strategically, it can be a powerful engine for visibility, credibility, and clients. I know because I’ve seen it transform freelance businesses, including my own. The trick is to stop treating LinkedIn like a job board and start treating it like a stage for your thought leadership.

I grew my LinkedIn following to over 13,000 just by following these tips.

 

Optimize Your Profile Before You Post

Think of your LinkedIn profile as your storefront. If it’s cluttered, vague, or half-empty, potential clients won’t stick around. Before you even think about posting content, make sure your profile communicates three things clearly:

  1. Who you serve. Your headline should go beyond your job title and speak directly to your audience. For example, “Helping SaaS startups scale with conversion-focused copywriting” is more effective than “Freelance Writer.”
  2. What problems you solve. Your About section is your pitch. Instead of listing your resume, explain the pain points you help clients fix and how you do it differently.
  3. Why they should trust you. Showcase credibility — whether it’s results you’ve achieved, companies you’ve worked with, or testimonials. Social proof builds confidence quickly.

A polished profile doesn’t just look good — it sets the stage so that every connection request, post, or message has a stronger impact.

 

Content Is the Engine of Visibility

Once your profile is optimized, the next step is content. Too many freelancers lurk on LinkedIn without ever posting. The reality is that content is how you stay top-of-mind with your network. And it doesn’t have to be complicated.

  • Posts vs. articles. Posts get more reach, but articles showcase depth. Use posts for quick insights, stories, or tips; use articles when you want to establish deeper authority on a topic.
  • Consistency over volume. It’s better to publish one thoughtful post per week than five rushed ones. Consistency builds trust.
  • Value first. Your goal isn’t to sell in every post; it’s to help, educate, or inspire. Think: “What would my ideal client find useful today?”
  • Calls to action. Don’t just share insights: invite engagement. Ask for opinions, encourage comments, or suggest next steps (“DM me if you’d like the template I use”).

Hashtags help your content get discovered, but they should be specific (#FreelanceLife vs. #Marketing). And when you share others’ content, add your own take — don’t just hit repost.

 

Build Connections Strategically

LinkedIn isn’t about how many people you connect with—it’s about the quality of those connections. A bloated network of random professionals won’t grow your business. A curated network of potential clients, collaborators, and industry peers will.

When sending connection requests:

  • Keep it personal. A short note (“I enjoyed your podcast episode on remote work—would love to connect”) makes a big difference.
  • Skip the pitch. A connection request isn’t the place to sell. That comes later, if at all.
  • Focus on overlap. Look for people in your niche, in industries you want to serve, or who share professional interests.

After connecting, follow up thoughtfully. Comment on their posts, share relevant content, or send a quick message that adds value. Growing your network is about planting seeds, not hard-selling.

 

Nurture Relationships Without Being Salesy

Here’s where many freelancers go wrong: they treat LinkedIn like cold email. The second someone connects, they blast a sales pitch. That’s the fastest way to get ignored—or worse, reported.

Instead, think of LinkedIn as a long game. Your content does the heavy lifting by showing your expertise. Your comments and messages nurture the relationship. When you do reach out directly, keep it focused on helping, not selling. For example:

  • “I noticed your company is hiring a content manager. Do you also use freelancers? I’ve helped similar companies bridge the gap during transitions.”
  • “Saw your post about struggling with lead generation. I wrote an article on that recently; happy to send it over if useful.”

This way, you’re solving problems, not shoving services.

 

Position Yourself as the Expert

One of the most underrated aspects of LinkedIn is how much credibility you can build simply by showing up consistently with valuable insights. Over time, people start to see you as the go-to in your niche. That means when they—or someone they know—needs help, you’re the first name that comes to mind.

A few ways to strengthen this positioning:

  • Share client wins (anonymized if necessary). Example: “A client cut ad costs 30% last month after we restructured their campaigns.” Or “My author client is landing great reviews left and right! It’s amazing to see the finished product.”
  • Teach micro-lessons. Break down complex concepts into digestible tips.
  • Be authentic. Share stories of lessons learned, even from mistakes. They make you relatable and memorable.

The freelancers who thrive on LinkedIn aren’t always the loudest—they’re the most consistent and the most helpful.

 

The Bottom Line

LinkedIn isn’t about chasing vanity metrics or gaming the algorithm. It’s about showing up as the professional your clients want to hire. Optimize your profile so people know exactly what you do. Post valuable content so you stay visible. Build connections thoughtfully and nurture them over time.

If you do these three things consistently, LinkedIn stops being “just another platform” and becomes your most powerful client acquisition tool.

For freelancers, the equation is simple: visibility plus credibility equals opportunity. LinkedIn gives you both. The only question is—are you ready to use it?

 

 

Laura Pennington Briggs
The Business of Writing Expert

Laura Pennington Briggs is the founder and CEO of the Freelance Coach. A two-time TEDx speaker on how freelancing is changing the economy and the host of the weekly Advanced Freelancing podcast, Laura has helped over 15,000 freelancers start and scale their businesses. She’s an expert on systems, project and client management, marketing a solopreneur business, delegating to team members, retainers, and developing multiple income streams for writers of all stripes. Laura is the author of five books, including the Six Figure Freelancer, How to Start Your Own Freelance Writing Business, and award-winning Remote Work for Military Spouses. She’s also the founder of Operation Freelance, a national nonprofit providing free entrepreneurship training to military spouses worldwide.

Categories: Laura Pennington Briggs, Marketing, NAIWE Board of Experts

How To Choose When To Add New Services in Your Writing/Editing Business

Tuesday, July Post a comment

As a freelance writer or editor, you can broaden your business in two ways with new services: (1) niching into other writing/editing services or (2) stepping out into other freelance niches like marketing, video, or audio work, or administrative work.

But how do you know if it’s the right time or fit for you? Throughout my freelance career, I have pivoted into other freelance services and niched down into other freelance writing options, too. Here’s what to keep in mind.

 

Taking on Other Kinds of Editing/Writing Work

This is perhaps the easiest pivot, since you already have a track record of delivering in the writing and editing space. You have a better handle on pricing and can also bring over the lessons learned from your existing business (AKA how not to work with nightmare clients, which contract provisions protect you, how to set deadlines.)

For example, if you’ve been largely focused on academic editing services, you could continue to do those or dial that work down to shift over into business editing or fiction manuscript editing. Although the projects will look somewhat different, you aren’t making a huge change. It might be difficult to land those first few clients in your new service area if you’ve done a lot of work “branding” yourself as the academic writing expert.

When to consider making this kind of change:

  • You’re feeling too much “sameness” in your work (if you look at one more academic journal article, you’ll lose your mind). New service offerings, even if you’re not pivoting into them full-time, can help add variety.
  • You’re getting bored with your work and feel you’ve taken your current service offering as far as you could take it. (After 11 years of writing personal injury law blogs, not a single thing about it was challenging for me anymore.)
  • You don’t want to learn something entirely new, but you do desire a little bit of change

 

Taking on Entirely New Work

It’s a much bigger change if you’re going to start offering book cover design either instead of or in addition to your current editing workload. That’s not to say it can’t be done. In fact, some writers and editors love zooming out to the big picture to make themselves more of a one-stop shop. With this, however, comes thinking about how you’re going to market yourself differently and whether you need new work samples. If you’re not as familiar with the standards, pricing, client types, and deadlines in this new service area, allocate more time to get up to speed. It can be a bit clunky especially when everything feels so smooth in your existing editing and writing business just due to your experience in that field.

For example, after years of content writing, I shifted over to offer Amazon Ads for published book authors for a time. It was a big change even though I was familiar with publishing in general. I was talking to an entirely new group of potential clients and did not have all the kinks worked out yet. More on that later as I walk you through how to approach a test run of a new service area.

Here’s when to consider making a shift like this:

  • You’re increasingly bored or frustrated with your existing service offering and want to see if you can retire it or dial it down to 20% or less of your total work. Trying out a new service area helps you see whether that’s possible in terms of income and whether you like the new offering enough to do more of it.
  • You feel stagnant and want to continue growing or you want to protect yourself from risks, downturns, influence of AI, etc. that you’re worried about with your current service offering.
  • Your clients keep asking you if you offer service XYZ and you’re saying no, meaning you’re losing the opportunity to do more work with clients you like. An editor who also loves cover design could be a killer combination!

 

Managing a Test Run

A new service offering, even one similar to your existing work, is not always a good fit. Therefore, don’t put the cart before the horse and invest in a total rebrand. I’m really glad I didn’t do this with my Amazon Ads offering, because I ended up phasing it out after just four months. The great thing about trying something new is that you’re not obligated to stick with it so long as you didn’t promise people that it’s your new focus.

Instead, here is how to approach that:

  • Set up a test run of a few months or a handful of projects. Ideally, this will come from your existing clients or people who already know, like, and trust you. Bonus: these projects can be your first work samples and/or testimonials if they go well!
  • Offer special pricing for these first few projects with clear boundaries and endcaps. For example, with my Amazon Ads offering, I made it clear I was trying this out and only signed three-month contracts with a few people who I already liked and had asked me to run ads for them. This gives people an incentive to try out this new offering while not locking you in to some big project/long timeline in case you end up hating what you’re doing. This also prevents long-term underpricing since the special pricing is for a limited period.
  • Set a deadline for when you’ll decide if you will continue to offer this new service. I chose four months because during that time I’d be able to work on several of these projects.
  • Do not build a website, pay for a new logo, spend all your time on LinkedIn, etc. to make it seem as though this is your “new thing.” If you need to pick up a few test run clients, you can market this as a special opportunity: “I have openings for up to three clients with my new service.”
  • If you hate the new offering, conclude your contracts and exit the service. No harm done: you learned something new. And now you can try another service offering if you want!

I stopped offering 1:1 Amazon Ads because I just didn’t enjoy it; the clients wanted too much in terms of reporting, the results were randomly effective, and I did not like the constant back and forth emails. So I  wrapped it up and put that behind me.

Keep these tips in mind as you think about whether offering a new service makes sense for you.

 

Laura Pennington Briggs is the founder and CEO of the Freelance Coach. A two-time TEDx speaker on how freelancing is changing the economy and the host of the weekly Advanced Freelancing podcast, Laura has helped over 15,000 freelancers start and scale their business. She’s an expert on systems, project and client management, marketing a solopreneur business, delegating to team members, retainers, and developing multiple income streams for writers of all stripes. Laura is the author of five books, including the Six Figure Freelancer, How to Start Your Own Freelance Writing Business, and award-winning Remote Work for Military Spouses. She’s also the founder of Operation Freelance, a national nonprofit providing free entrepreneurship training to military spouses worldwide.

Categories: Business, Freelancing, Laura Pennington Briggs

Four Signs of Toxic Freelance Clients

Thursday, March Post a comment

Many freelancers end up working with clients who are not an ideal fit for them especially at the beginning of their business, but bad clients and even toxic clients can still land in your lap as your business grows, and as you get savvier. Understanding what makes a toxic client is critical for helping you to determine how to avoid them, how to spot them in an onboarding call or intake call, and how to respond and terminate the relationship if necessary.

 

What Is a Toxic Client?

We’ve all had our share of less-than-ideal clients, but a toxic client goes beyond that.

A toxic client, simply put, is someone who drains your energy and treats you poorly. You begin to develop a sense of dread or frustration in dealing with them. Toxic clients are typically overwhelming and overbearing, cross communication boundaries, and have numerous extra requests for you and most of the time they want these done without any additional pay.

Toxic clients tend to generate an emotional response in the freelancers they work with and it’s common to feel things like anger or frustration, but in the worst-case scenario, they cause you to feel entirely burned out. If you work with clients, you generally enjoy working for, it’s a little bit easier to identify toxic clients because your feelings about these people are so much different than your other clients. Recognizing some of the patterns for what can develop into a toxic client is critical for helping you stop this situation before it escalates.

While it’s important to do everything you can to possibly identify a toxic freelance client, you cannot always identify them in advance. Sometimes these people sneak up on you and come out of nowhere. They seem fine in the intake call or don’t give you information that would indicate their true nature. If one slips through the cracks, however, try to notice the signs of their behavior sooner rather than later.

Here are four signs to keep in mind when identifying toxic clients.

 

#1: Mismatched Expectations

If your freelance client is pushing you to be available around the clock, or expects you to answer text messages, phone calls or emails overnight or over the weekends, this is an early sign that they may need their boundaries adjusted. In some cases, with a normal client, you’re able to walk this back and explain your business office hours and why you won’t be able to respond during these times.

You may even be able to redirect them into a weekly or biweekly call to avoid all of these issues stacking up in your email inbox. With a toxic client, however, they will refuse to adjust their behavior and leave you suffering the consequences. They may even argue that you’re being unreasonable.

Likewise, if they ask for five rounds of revision on a smaller project or bombard your first submitted piece with far too many comments and change requests, beware.

 

#2: Bad Discussions About Past Freelancers

How a client talks about their past freelancers tells you a lot about their experience in this field and whether or not they understand how to interact with freelance professionals appropriately. If they mentioned in a call that their previous five editors or writers all failed or were difficult to work with, the odds are there’s a problem with the client, not the freelancers.

It’s normal for some of your clients to come in with bad experiences with a handful of past freelancers, especially if the client was new to things and perhaps hired the wrong person but listen to the way they talk about their freelancers. If they’re using strong language like this person was an idiot or this person almost destroyed my business, be aware that they may have unrealistic expectations and are likely to blame you for problems that probably weren’t your fault.

I like to ask clients, “tell me about your experience working with freelancers in the past,” as an open-ended question and see how they respond.

 

#3: Demanding That You Prove Your Worth

Toxic clients tend to want you to prove your worth or talk about things like ROI or how your work will transform their life or business immediately. Toxic clients might push you to prove your worth as early as the initial phone call. They may not be willing to sign a contract for longer than a month or do anything other than a sample project because they don’t trust you.

They may be comparing you against five or six other freelancers to see who will allow them to push the boundaries. Toxic clients may try to pay you 10% upfront and then claim they’ll pay the rest when they are satisfied with the completed project. Be aware, this is a potential trap and a major red flag as they may never actually be “satisfied” enough to send the remaining funds owed.

 

#4: Refusal to Pay on Your Terms

Each freelancer comes to the table with their own requests about payment, be it late payment fees, deposits that are due or regular payment schedule. If your client is requesting that every aspect of your contract be updated to adhere to their terms or pushes back when their invoice is due and they’re not making the payment, this is an early sign you may be involved with a toxic client.

In general, it’s a good idea to have some measure of good faith, such as a significant deposit or full payment upfront to ensure that the client has the means to pay you. This keeps you from chasing after the client for weeks or months, especially if you have the client who says they’re not satisfied with the final product and refuses to release that money until you are finished with a version they appear to be happy with.

 

What To Do If You Think a Client Might Be Toxic?

Not every client is a full bad apple. Some of them may have no idea how their behavior is affecting you and I always suggest trying to walk it back unless the client has crossed some major line already. Here are a few tips for how to handle clients who are pushing the boundaries:

  • Call the situation out early and address it.
    • Example: “I’ve noticed we’ve had a lot of back and forth on the first draft. Here are some ideas I have to streamline that process.”
    • Example: “In the future, please direct all communication to the Google Doc/Email/Trello board. I’m not available to answer texts or Facebook Messenger, especially after hours.”
  • If the client speaks to you unprofessionally, reference it in the moment and explain why it’s a problem. You can say phrases such as, “I don’t know if you mean to come across this way”, or, “I want to make sure I understand what you just said because it feels inappropriate”.
  • If you are in a relationship with a toxic client, decide if you can part ways. Regardless of the value of the total project, it can be detrimental to the rest of your business to continue working with a toxic client. Think about the actual amount of time you’re putting in with this client and you can probably figure out pretty quickly that you’re not getting what you’re worth. They may also be causing a physical, mental or emotional toll and these clients can push you to burnout.

One of the biggest problems with working with someone who is extremely difficult is that these negative aspects tend to bleed over to your other clients even if you don’t intend them to. You may be showing up frustrated or less able to focus for your other clients.

Over time, you might determine red flags specific to you. As a business owner, remember that you’re in the driver’s seat to determine whether or not you want to work with someone.

 

Laura Pennington Briggs is the founder and CEO of the Freelance Coach. A two-time TEDx speaker on how freelancing is changing the economy and the host of the weekly Advanced Freelancing podcast, Laura has helped over 15,000 freelancers start and scale their business. She’s an expert on systems, project and client management, marketing a solopreneur business, delegating to team members, retainers, and developing multiple income streams for writers of all stripes. Laura is the author of five books, including the Six Figure Freelancer and How to Start Your Own Freelance Writing Business. She’s also the founder of Operation Freelance, a national nonprofit providing free entrepreneurship training to military spouses worldwide.

Categories: Business, Freelancing, Laura Pennington Briggs

4 Things You Can Do Today to Uplevel Your LinkedIn to Attract More Clients

Tuesday, May Post a comment

If you’re like most writers and editors, you want to have as many avenues for potential clients to connect with you as you can. If you’ve overlooked LinkedIn or just haven’t used it to its full potential, the summer is the perfect time to recommit and start upleveling your approach. LinkedIn has become second only to personal referrals in my freelance business. When I started freelancing 10 years ago, my LinkedIn was a dead zone and only about four years ago did I get really serious about leveraging this platform. Here are my best tips for using LinkedIn today.

 

#1: Find Other Leaders in Your Industry and Comment on Their Work

This might seem counterintuitive. Why would you follow another editor or content writer and give more LinkedIn juice to their posts? Because this helps to show that you’re an active participant on the platform and gets your name out there, too.

Providing thoughtful comments on a colleague’s posts on LinkedIn makes this more like a network. Remember that other people in your colleague’s network will see your responses, too, which opens new connection opportunities for you and greater exposure overall.

Most people post content on LinkedIn a few times per week. Choose a couple of favorite thought leaders to follow and scope their content. LinkedIn tracks what interests you and shows you similar material on your login feed.

 

#2: Use Keywords and Hashtags in All Your Content

The LinkedIn algorithm considers many aspects of your profile and posted content when deciding whether your profile will show up for various searches.

Keywords are those terms and phrases your clients might use to describe your work. It’s important when brainstorming these not to limit yourself to only the terms you would use to describe your work in an elevator speech.

For example, an editor might use:

  • Proofreading
  • Developmental editing
  • Professional editor
  • Copyediting/copyeditor
  • Line editing
  • Editing
  • Freelance editor

That’s just the start of a small list that could be expanded significantly based on your niche and the work you do for clients. The same goes for hashtags. Do some research on which hashtags align best with your profile and service offerings.

Hashtags perform best on posted content on the platform, not on your profile. However, you can still sprinkle some hashtags throughout your About section on your LinkedIn profile.

 

#3: Connect with Five People Every Day

To become a power user of LinkedIn, you don’t need to connect with 50 people a day. In fact, that kind of activity usually gets flagged as spammy and could get you blocked. Small consistent steps are far more effective for growing your connections and network on LinkedIn. LinkedIn starts to take you seriously when you have at least 500 connections on the platform, although you can always continue to connect with more people after you’ve hit that threshold.

Connect with five people every day. Make it simple and do it first thing in the morning. I have been on the LinkedIn app while I’m waiting in line at the grocery store or before an appointment. Send authentic and simple messages to connect, and don’t offer to provide them with services right away.

Here are a few examples of messages I’ve used in the past:

  • “Looking to expand my network of lawyers in the area. Open to connect?”
  • “Love the content you post on LinkedIn. I’d like to be connected here.”
  • “I noticed you’re interested in [insert topic/cause/etc. here]. Me too! Let’s connect.”

If you do attend a local networking event or conference, use this as a supercharged chance to grow your LinkedIn following.

 

#4: Create a Roadmap of Content to Post

A big reason why most freelancers don’t want to use LinkedIn is because they’re not sure what to write about. Don’t put that pressure on yourself to come up with those ideas on the day you intend to post. Instead, start with a brain dump list of all the topics you could post about. Here are some as a starting point:

  • Best practices for hiring an editor
  • Biggest mistakes people make when working with a freelance writer
  • Common grammar/style mistakes or issues people struggle with
  • The best lessons you’ve learned working for yourself
  • Your perspective on the future of digital marketing (or insert your industry/niche)

Store your content bank in a spreadsheet, Trello board, or Google Doc where you can pull that information up easily when you need it. You’ll thank your past self for the inspiration.

LinkedIn success builds like a snowball, so you might not see results right away, but it really gets easier after you’ve been at it for some time. Make the commitment to small steps on an ongoing basis and you’ll start to see your traction grow.

 

Laura Pennington Briggs is the founder and CEO of the Freelance Coach. A two-time TEDx speaker on how freelancing is changing the economy and the host of the weekly Advanced Freelancing podcast, Laura has helped over 15,000 freelancers start and scale their business. She’s an expert on systems, project and client management, marketing a solopreneur business, delegating to team members, retainers, and developing multiple income streams for writers of all stripes. Laura is the author of five books, including the Six Figure Freelancer and How to Start Your Own Freelance Writing Business. She’s also the founder of Operation Freelance, a national nonprofit providing free entrepreneurship training to military spouses worldwide.

Categories: Business, Laura Pennington Briggs, Marketing, Networking

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Beyond Writing: How Expanding Your Services Can Strengthen Your Freelance Business

July 22, 2026

Am I a Writer or Not?

July 16, 2026

Be Prepared for That Crisis Moment When You Need Business Backup

June 30, 2026

Stick with Your System

June 29, 2026

In a Pricing Rut? Try These 3 Strategies

June 25, 2026

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June 24, 2026

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