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Why Book Titles Matter

Tuesday, April Post a comment

Today more than ever, the title of a book (and its cover) can have a bigger effect on the success of a book (or a brand) than almost anything else. In some cases, savvy publishers do little more than give an existing book a new title/subtitle with an improved book cover to give a book a sales boost.

A bestseller starts with a good title!

Your title should:

  • Be easy to remember (1–2-word titles work best!).
  • Have an immediate effect; think about the titles that stopped you (or made you click).
  • Appeal to your target reader (in your niche, the more specific, the better).
  • Have a good subtitle that reveals what the book is about in as few words as possible.

How many books have you picked up simply because of a title that grabbed your attention?

Spend some time on publisher websites and see which titles grab your attention.

How do you get a good review? Put your book in the hands of the right reader. How do you get a bad review? Put your book in the hands of the wrong reader.

An accurate and descriptive subtitle will help get your book in the hands of the right reader.

Examples and ideas…

 

Fiction

  • The Orphan Collector: A Heroic Novel of Survival During the 1918 Influenza Pandemic
  • The Secrets We Keep: A Gripping Emotional Page Turner
  • The Storm: A Story Inspired by Reincarnation in the Golden Era of Film and Music
  • Into the Darkest Day: An Emotional and Totally Gripping WW2 Historical Novel
  • The Pursuit of the Pankera: A Parallel Novel About Parallel Universes

 

Non-Fiction

  • The Year of Less: How I Stopped Shopping, Gave Away My Belongings, and Discovered Life Is Worth More Than Anything You Can Buy in a Store
  • The Good Karma Diet: Eat Gently, Feel Amazing, Age in Slow Motion
  • Out Earn: How to Earn More than Your Parents!
  • Earn the A. Get to College. Get well paid.
  • The ABCs to getting A’s: The Proven Path to Better Grades with the Power Learning System
  • The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change
  • The 5 Love Languages: The Secret to Love That Lasts
  • You are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life
  • A Whole New Mind: Why Right-Brainers Will Rule the Future
  • The Happiness Advantage: How a Positive Brain Fuels Success in Work and Life
  • Goddesses Never Age: The Secret Prescription for Radiance, Vitality, and Well-Being
  • Delivering Happiness: A Path to Profits, Passion, and Purpose
  • Tears to Triumph: The Spiritual Journey from Suffering to Enlightenment
  • Anxious for Nothing: Finding Calm in a Chaotic World
  • Dying to Be Me: My Journey from Cancer to Near Death to True Healing
  • Eat Dirt: Why Leaky Gut May Be the Root Cause of Your Health Problems and 5 Surprising Steps to Cure It
  • Dealing with People You Can’t Stand: How to Bring Out the Best in People at Their Worst
  • What Color Is Your Parachute? A Practical Manual for Job-Hunters and Career-Changers
  • The Total Money Makeover: A Proven Plan for Financial Fitness
  • The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing
  • Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking
  • Start with Why: How Great Leaders Inspire Everyone to Take Action
  • GUTS ’N GUNSHIPS: What it was Really Like to Fly Combat Helicopters in Vietnam

 

A trend I have seen—like it or not—is piggy backing on the success of an existing title that already has captured people’s attention and getting that word of mouth we all need. It may also help your book show up in Amazon search results better (although Amazon works hard to penalize authors who are gaming the system).

I first noticed it when someone published 50 Shades of Kale. Dozens of authors jumped on the The Fine Art of Not Giving a F*#K bandwagon. And now I’m seeing it with The Life Changing Magic…. Consumers are click happy, and it’s sad to say that many of the sales these authors are getting might be the result of mistaken identity.

 

Authorpreneur Brian Schwartz is the creator of the award-winning 50 Interviews series. More than 500 authors have trusted Brian and his team to publish their work. The mission of Brian’s practice is “to bridge the gap between self-publishers and traditional publishing by applying the proven strategies and techniques of successful independent publishers.” To meet this objective, Brian launched AuthorDock in 2016 to provide authors an all-in-one secure portfolio management tool to manage deadlines, extended teams, and critical resources. Brian is also the developer of PubWriter, a click-to-publish publishing platform used by authors to create their own web hubs for publishing, promotion, and sales.

Categories: Book Marketing, Brian Schwartz, Writing

Proofreading and Editing Recommendations

Thursday, November Post a comment

While my company does a technical proof of the layout as part of the formatting service we offer, we don’t do copyediting/proofing. The danger in proofing someone else’s work is that oftentimes, what may appear wrong to me is exactly what the author intended, so as a practice we never change what format or convert. Here’s what I suggest (which is always in flux based on client feedback).

One thing most writers agree on is that you can’t be trusted to edit your own work.

Editing is a very subjective role, and I’ve found that one author will love an editor that another author hated. The workload an editor has, as well as the deadline to complete the work, will often impact the quality of work.

I find that Word, Google Docs, and Grammarly all catch different errors and you may find it a worthwhile effort try all three just to see the difference.

  • Writer’s Digestoffers a service through their pool of editors at $2/page.
  • You might also want to check out the Hemingway
  • A client told me about WhiteSmoke, but I haven’t used it yet.

Some Final Thoughts

  • Proofreading can’t be rushed! If you rush an editor, the quality of the work will be affected.
  • When you advertise for an editor, often the only responses you get will be people who are available, and you have to ask yourself, if they are good, why are they available? Referrals are always the best way to go.
  • You can always release your second edition at a later date, but always put your best work out first, because you run the risk of a bad review that will stick with the book even after you fix the problem. You may have great content to offer, but lack of editing may become an obstacle to many readers.
  • I always recommend an author get a printed proof because so many errors don’t become evident until you see it in print, I believe it really has to do with how the brain works.

Grammarly

Grammarly is quickly becoming an indispensable technology for all writers—I can’t imagine the hours of rework that we could have avoided if every author used Grammarly before sending us their manuscript to format!

Here’s a video I made for a client to show it in action.

 

There’s also an MS Word Add-in (if you are on a PC), but only use it when you go into final proofing because it removes the undo function!

If you are on a Mac, you’ll need to copy and paste into their web editor to use the MS Word Add-in.

Hope that helps!

 

Authorpreneur Brian Schwartz is the creator of the award-winning 50 Interviews series. More than 500 authors have trusted Brian and his team to publish their work. The mission of Brian’s practice is “to bridge the gap between self-publishers and traditional publishing by applying the proven strategies and techniques of successful independent publishers.” To meet this objective, Brian launched AuthorDock in 2016 to provide authors an all-in-one secure portfolio management tool to manage deadlines, extended teams, and critical resources. Brian is also the developer of PubWriter, a click-to-publish publishing platform used by authors to create their own web hubs for publishing, promotion, and sales.

Categories: Brian Schwartz, Editorial Services

Build an Audience with Substack

Friday, October Post a comment

What keeps me excited about publishing after 10+ years?

One word: Technology.

Publishing is changing faster than most industries and I often refer to it as being in a ‘hyper’ state of change. Despite all this change, there are still two paths for an author to choose from to get their work in front of readers:

  • Door 1: Find an agent and land a publisher
  • Door 2: Self-publish

If an author is fortunate enough to convince an agent they have the talent, and that agent has the ear of the right publisher, they might get published.

For many of us, door 2 is the only option. If we don’t self-publish, our work will never be read. Either way, the path to getting published is rarely a straight line.

I want to share another option to getting your words in front of readers that is still largely untapped. By untapped, I mean it’s not yet over saturated which means you can be a bigger fish in a smaller pond.

Regardless of the door you choose, your success will largely depend on your ability to reach an audience. It’s why many authors don’t see success until much later in their career. Building an audience takes time!

What’s the new option? It’s called Substack. There’s no cost to the author and the company only makes money when you make money.

Substack offers a new way to build an audience. The technical requirements are about as minimal as they can make them. You don’t need a website. You don’t need an email list. You just need good writing and the discipline to post regularly and share your work. Once you do create your own domain on the site, add a link to your URL in your email footers.

I’d suggest you first check out some of the other authors on the home page and then start your own Substack newsletter. Here’s mine.

Grab your Substack subdomain before someone else does!

Why do I like Substack?

  • They put writers first.
  • They follow the KISS rule.
  • No advertisements!

Authorpreneur Brian Schwartz is the creator of the award-winning 50 Interviews series. More than 500 authors have trusted Brian and his team to publish their work. The mission of Brian’s practice is “to bridge the gap between self-publishers and traditional publishing by applying the proven strategies and techniques of successful independent publishers.” To meet this objective, Brian launched AuthorDock in 2016 to provide authors an all-in-one secure portfolio management tool to manage deadlines, extended teams, and critical resources. Brian is also the developer of PubWriter, a click-to-publish publishing platform used by authors to create their own web hubs for publishing, promotion, and sales.

Categories: Book Marketing, Brian Schwartz, Writing

The Self-Publish Pledge

Monday, May Post a comment

The Self-Publish Pledge

I’ve been working with self-published authors since 2009. This pledge sums up what I wish all authors knew before they published.

 

I, ____________________________ (state your name), agree to abide by the following:

Writing

  1. To hire an editor (if not a professional editor, a group of trusted friends or colleagues)
  2. To print a bound galley / advance reader copy and have at least two other people review it
  3. To publish a Kindle edition without an ISBN to give advance readers a page to post their review
  4. To wait until I have positive feedback to assign an ISBN and release it for sale in print

 

Title & Cover

  1. To hire a professional cover designer
  2. To check Amazon to see what other titles already come up on Amazon when I search for my title

 

Pricing

  1. To determine my print-book pricing using the IngramSpark book pricing calculator
  2. To set the wholesale discount to 50% and allow returns (at IngramSpark)
  3. To never let KDP assign me one of their free ISBNs, which would prevent me from using IngramSpark to sell to other retailers & libraries

 

Metadata

  1. To request an LCCN from the Library of Congress.
  2. To set up metadata for my ISBN with Bowker and confirm that it is valid at bookwire.com

 

Publishing

  1. To hire a professional interior designer and confirm the conversion from my source manuscript is accurate
  2. To set up my e-book directly with the three major marketplaces and avoid third-party aggregators/distributors, which limit my marketing options

 

Authorpreneur Brian Schwartz is the creator of the award-winning 50 Interviews series. More than 500 authors have trusted Brian and his team to publish their work. The mission of Brian’s practice is “to bridge the gap between self-publishers and traditional publishing by applying the proven strategies and techniques of successful independent publishers.” To meet this objective, Brian launched AuthorDock in 2016 to provide authors an all-in-one secure portfolio management tool to manage deadlines, extended teams, and critical resources. Brian is also the developer of PubWriter, a click-to-publish publishing platform used by authors to create their own web hubs for publishing, promotion, and sales.

Categories: Brian Schwartz, Self-Publishing

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